Feet forge on, heedless.
Mind wanders, searches for what?
A spot of stillness.
Feet forge on, heedless.
Mind wanders, searches for what?
A spot of stillness.
Scatter-brained is how I would describe my March. Not necessarily from me. It just felt like a chaotic month for a variety of reasons, so I feel like I need to re-center.
Nope. A bit over 4,000 was the final count for March. I ended up putting quite a bit of time into a family tree for my story, both to enrich the character building and to make sure I could keep track of all the kinship ties for this one family. Did I use this as a form of procrastination from actually writing? Yes I did. Will it help me write a better story later? I think so.
I also focused almost entirely on revising/rewriting part 1. Part 2 has not been left in the dust entirely, but implementing my newer ideas in part 1 is keeping me motivated. Honestly, living in the two stories simultaneously — even knowing part 2 will have to change — has not been as distracting as I expected. Even though I know changes to part 1 will mean heavier revisions to part 2 later on, it’s still good for me to work through the plot issues of part 2 as it currently stands. I will likely have to face these plot issues anyway in some form, so it never hurts to noddle a problem for a bit.
I think so…? I’m going to say yes! I don’t track my workout progress in this way, but I know I did my resistance exercises nearly every day. I fell off on my yoga routine a bit, but I’m satisfied to have done something at least every other day.
Just 3. I finished one Audible listen, one graphic novel, and one full-length novel, all of which I reviewed in the last few weeks.
I am more than halfway through reading The Fellowship of the Ring, but that’s my only current read. I really didn’t listen to Audible much at all in March. I’ve been listening to a lot of podcasts recently, and there are only so many listening hours in the day.
I have plenty of things to listen, but most of them are super-long 15+ hour books, and I’m more in the mood for shorter listens at the moment. Anyway, this is the main reason I didn’t finish four books. I’m really enjoying my re-read of The Fellowship, though, so I’m not currently interested in reading anything else. The power of Tolkien, I suppose.
Keep ahead, don’t stop.
Flow one to the next, again,
eyes on the simple path.
After some lackluster reading the last month or so, I am embarking on an epic quest: to reread The Lord of the Rings! I will not be reviewing these stories in a critical sense, because how could I? Instead, I will share some storytelling insights I pick up as I go along.
This will be primarily focused on the books, but I will also reference the films by Peter Jackson to compare the stories as they are told between these two media.
Spoilers ahoy.Continue reading “Story Lessons from THE LORD OF THE RINGS, part 1”
Mind demands work,
body pleads for a break. Sit.
Return with vigor.
I just finished reading Crossroads of Twilight, the tenth book in Robert Jordan’s The Wheel of Time series. I’ve already mentioned this book a couple times in recent posts, mostly because it took me longer than I expected to get through it. And not in a good way.
Ten books into this series, I’ve run into more than a couple of stretches where there doesn’t seem to be any real narrative movement, and the characters’ insistence on running in place when there’s a path laid out for them has been frustrating.
This book, however, was the hardest installment of this series for me to get through. Rather than running in place, or even building up to something, the characters in this book just did nothing.
There were a lot of conversations, a lot of plans being made without any details as to what they were, or even what they were aiming to achieve, and a lot of schemes.
Always with the schemes in these books.
Schemes within schemes that are so convoluted, so tepidly hinted at by the POV character of the moment, that the reader can’t possibly have any real clue of what’s really happening. There are so many characters now in this series, and they all have their perfect little plans laid out and ready to spring, except the reader has no idea what any of them are, and there are 200 of them!
So, yeah, this book took me some time to get through. I was simply not interested in most of what was happening. I read the last third of this book in fits and starts just trying to get to the end.
The structure of the chapters was at first intriguing to me. The book is structured in such a way that you follow one particular character or set of characters for several chapters in a row before abruptly pivoting to another character. I think this would have been an effective mechanism to develop specific character arcs if most of the chapters didn’t feel like filler content.
Without getting into details, I was particularly interested in both Elayne’s and Mat’s narratives in this book, but I haven’t heard from Elayne since the first third, and Mat’s story took an unexpected if interesting turn at the end.
All of this is to say that I’m happy to be done with this book, and I’m taking a break before getting into book 11.
Jordan has always toed the line between being just vague enough while building suspense. This story did not build anything. The last few chapters are interesting and definitely set up for book 11, but they do not make up for the 700+ pages of what felt like filler content.
hold fast until the finish,
with the end in sight.
With Thor: Love and Thunder due to hit theaters (or streaming services?) in 2022, I felt compelled to follow the comic arc that inspired this particular film, as well as Taika Waititi’s previous installment in this MCU franchise, Thor: Ragnarok.
I first looked to the early 2010s Thor comics, The Mighty Thor, in which Jane Foster takes up the mantle hammer of the God of Thunder. After doing a bit more research, though, I realized that Jason Aaron, the writer of The Mighty Thor, also wrote the Thor comics leading up to Jane Foster’s transformation.
So I decided to read Aaron’s entire run. That’s where Thor: God of Thunder comes in. Volume 1 of this series, The God Butcher, is a bit of an introduction to Thor, as well as to Gorr the God Butcher, who is to be the villain in Love and Thunder.
I found this to be a really exciting narrative with interesting jumps between past, present, and future Thor as he battles the God Butcher across the millennia.
We see the brash young God of Thunder, not yet worthy to wield Mjolnir, juxtaposed with Thor the Avenger, who bears the weight of centuries of responsibility on his shoulders, against Thor the King of Asgard, a grizzled aging god. I really enjoyed how closely this character evolution is mimicked by the MCU films.
The second volume of this series, Godbomb, continues the story of Thor(s) fighting Gorr the God Butcher across time, a thrilling and surprisingly uplifting ending to the God Butcher saga. I’m usually not into time travel plots, but seeing the three Thors battle together was pretty awesome.
I’m glad I read these two volumes together, because volume 2 is a direct sequel to volume 1. Across both volumes, the artwork is vivid and dynamic. I found myself flipping back and forth to catch details in the illustrations I may have missed on first reading.
Following on this time-jumping quest, I’m looking forward to seeing where Thor the Avenger, the proper Thor of this arc, goes next. This being my first read of any Thor comic, I don’t really know what to expect. I’m just pleased to see that Aaron has contributed more than a dozen volumes of comics to Thor’s lore in recent years. They should keep me occupied until Love and Thunder comes out.
Plastic shovel scrapes
sitting on a mound of dirt
new favorite game.
Stardust is the first book I’ve read by Neil Gaiman, and hearing the Audible version that he narrates was a real treat. Gaiman is one of those authors who I’ve seen a lot of references to online, but I could not have named one of his stories. Now I’m kicking myself for never looking up his work before.
Stardust is an incredibly enjoyable story in an authentic setting. The typical English village of Wall where the story begins feels completely mundane in the best possible way, from the little farmhouses that sit on its outskirts to the tavern where the locals pass gossip and the general store where they place their orders for the proprietor to pick up in the nearest large town.
Sitting just outside the village, however, is a stone wall with a gap in it, which is always guarded by two of the villagers, and which the residents of Wall are not allowed to pass through. Through this gap every nine years comes a market of bizarre beings from the land of Faerie, the land beyond the wall. Tristan Thorn, a young lad from Wall, one day decides that he must journey into Faerie to find a fallen star.
Thus begins Tristan’s journey with an intriguing cast of characters and intricate plot building. Even though there is not a ton of world-building or exposition, the world around Tristan feels like it’s full of history, both everyday and fantastical. Every character speaks and acts with such quirks that you can’t help but think that there are unique stories behind each of them — an incredible example of the writers’ adage that each character is the hero of their own story.
The plot was compelling and the arc of the characters felt very natural. Tristan was quite a savvy protagonist, especially for a teenager who had never left his village before, but I think this is established well enough early in the story that it doesn’t feel out of place.
Gaiman is a wonderful narrator whose cadence enhanced the listening experience, more so because he narrates it in the style in which he intended it to sound. The voices he creates for each character are distinct enough while keeping the listener immersed in the story.
I already have a couple more Gaiman stories queued up on Audible, including his telling of Norse Mythology, which — come on. How can I not read that?