Category: Reviews

Book Review: THE FLAME BEARER stumbles to a satisfying ending

On By Steven D'AdamoIn On Storytelling, ReviewsLeave a comment

The Flame Bearer is the tenth book in Bernard Cornwell’s The Last Kingdom series, and it caps off a run of faster-paced stories in over the last few novels.

In this installment, Uhtred sees the budding rivalries between the West Saxons, the Danes, and the Scots in Northumbria as both a threat and an opportunity for his claim to Bebbanburg. acts on his ambitions from the previous story (Warriors of the Storm), and the result is a brutal battle.

Leading up to the climax, Uhtred blunders his way from one step to the next, always with some semblance of a plan in mind, but loose enough for the reader to think he’s on his way to disaster. As I was reading, this felt like an intentional plot point where Uhtred’s confidence leads to drastic measures for him to gather information. In retrospect, I think these sections were a little questionable.

Uhtred has shown in the past that his overconfidence or his desperation can cause him to act quickly, if not wisely. These chapters just felt a little out of character for the older, wiser Uhtred we’ve come to know. I’m okay with chalking it up to his desperation to retake Bebbanburg, though.

I also enjoyed seeing a few younger characters get more time and development on the page. Aethelstan has quickly grown into my favorite character, and his transition from a supposed bastard into a Prince of Wessex is fully realized here in the initiative he takes in the final act and the ultimate leadership he shows on the battlefield. Uhtred the younger also displays the cunning, bravery, and ferocity he’s learned from his father in surprising ways.

Overall, I really enjoyed this novel. It followed a familiar formula from previous books, but that is to be expected by this point in the series. I still feel like I’m learning something new about Uhtred and some of the other characters with each book, and that’s progress.

Spoiler warning: I was honestly surprised that this was not the final book of the series. However, I think Cornwell has laid the groundwork with the story of the Flame Bearer in previous novels well enough that this story does not feel like a sudden turn. I’m excited to see what further developments come in future books. Spoilers end.

Steve D

Book Review: WARRIORS OF THE STORM

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I’ve continued my listening to The Last Kingdom series by Bernard Cornwell with Warriors of the Storm. This 9th entrant in The Last Kingdom series really brought all of the elements I enjoy about this story together.

In this story, Uhtred has entered his second “prime” as a lord serving Aethelflaed, the Lady of Mercia.

Uhtred has reestablished his relationships with his children and the young Aethelstan, and he builds on these relationships in Warriors of the Storm in meaningful ways, demonstrating that he is no longer the absent father as when his children were younger. He is a father and a leader of young people, who finds young boy servants he knows can learn from him and join the ranks of his warriors as they become men.

Uhtred’s own ambitions have also been reseeded after seeming lost for a time. Through the middle few books of this series, Uhtred appears mostly aimless. He always pines to retake his ancestral home at Bebbanburg, but he has very little idea of how to accomplish that, so he is buffeted from conflict to conflict against a constant tide of new enemies. Warriors of the Storm feels like the first time in several books that Uhtred shows real ambition, where he takes proactive steps to make his claim to Bebbanburg.

This ambition gets Uhtred into some trouble with an army of Norsemen, hearkening back to his younger brasher days. But as a veteran warlord, and with some good allies, he makes his stand.

This story called back a lot of themes from previous stories, helping it feel quite familiar: a Northern threat; a mysterious sorceress; a hair-brained quest; and a last-ditch battle. It was a great story overall that reminded me of why I love this series.

The narration is serviceable, but the tone of this narrator feels underwhelming to me. I suppose nothing compares to the bellowing and growling of Jonathan Keeble, who narrated the first few stories of this series.

Steve D

Book Review: THE KING OF ELFLAND’S DAUGHTER and the precursor to modern fantasy

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I just finished listening to an audiobook of The King of Elfland’s Daughter, by Lord Dunsany. I’ve previously listened to a short story collection of his that I had enjoyed less than I could have, most likely because of the dull voice actor.

So I came into this novel hoping I could find more enjoyment out of it (and a better voice actor).

I really enjoyed this story. The King of Elfland’s Daughter follows a family, a human lord and his elfin wife and their son, as they each navigate the boundary between the human world and the realm of magic, Elfland. The story started slowly, but the shifting of perspectives between “the fields we know” and Elfland brought an interesting dichotomy between the worlds and how each character wrestles with their desires, the relationships to each other, and their home.

This story feels like a progenitor of modern twentieth-century fantasy. It leans quite heavily on mythical creatures that would have been quite familiar to an English reader in the early twentieth century: elfs, unicorns, witches, trolls, and an enchanted forest. Where Tolkien borrowed ideas and themes from Northern European (and other) mythologies and shaped them into his own distinct world, Dunsany inserts fantasy elements into a world that feels not so far removed from our own. Thus, his story reads as if it could have been a lost fairy tale of pre-modern England.

In that way, the tone of this story is solemn and full of wonder.

Throughout The King of Elfland’s Daughter, a pervading sense of yearning is captured between the different characters: yearning for love, for lost love, for home, for the hunt, for so many small things, and this helps the solemn tone feel earned, rather than overwrought. The reader yearns with the characters and feels their losses and gains.

Like in all classic fantasy, the theme of the realms of magic receding from human knowledge stands stark, and so the entire story feels like a lamenting and a yearning for that deeper connection to a world we have lost, or perhaps abandoned.

As I mentioned above, the voice actor for the audiobook version is also excellent, and has definitely endeared me to Lor Dunsany’s writing in a way that the previous stories I’d listened to did not. Now I know I will need to go back and read his other work, either in hard copy or with a different narrator.

Steve D

Book Review: THE RESIDUE YEARS and the cycle of addiction

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I don’t read a lot of literary fiction, so I tend to pick these stories without knowing exactly what to expect. If I don’t know the author or haven’t heard or read much about the book, then I’m basically just going in blind hoping I find something to connect with.

I just finished listening to The Residue Years by Mitchell S. Jackson on audiobook. I primarily chose this book because it seemed like a perspective on drugs and addiction I had never really been exposed to before.

The Residue Years switches between the points of view of Champ and his mother, Grace. Following Grace’s stint in court-mandated rehab for her crack addiction, she and Champ try to reconnect with each other, with their family, and with the previous life and home they’d lost touch with. Champ, meanwhile, sells crack to support himself and his family, even as Grace tries to recover and find a new path in life.

Champ and Grace appear to want to change their lives, but they keep making poor decisions. As protagonists, you want Champ and Grace to succeed in reclaiming themselves and each other. However, Champ is too self-aware for his own good, convincing the reader that he knows that dealing crack cannot be his end-all-be-all, while continually making choices that pull him deeper into that life. Grace does all the right things on the surface. She gets out of rehab, finds a job, attends NA, finds a new church. She recognizes that she needs to stay away from the toxic people of her past and establish a new life, but she too easily allows herself to be dragged backward.

Jackson does an incredible job of making the reader root for these characters, to hope against all odds that they will break the cycle of crack, and to envision a better future for them. He does all this even as the characters make baffling decisions that just repeat the cycle.

This story is ultimately an intimate portrayal of the vicious cycle of addiction and how it erodes those bonds to family, stability, and love.

I don’t recall what made me buy this book initially, but I’m glad to have read it.

Steve D

Book Review: THE EMPTY THRONE gets the series back on track

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Book #8 of The Last Kingdom series, The Empty Throne returns to form after what I felt was a bit of a mid-series lull in The Pagan Lord, the previous installment.

This book started with a point-of-view section of Uhtred, the younger, the son of the Uhtred who carries the series to this point. I really enjoyed this glimpse into the mind of the young man who is trying to follow in his father’s footsteps as a warrior and a future lord.

Uhtred, the elder is older now, wounded, but wiser. Some of the bitterness of the previous story has fallen away, and Uhtred is starting to truly recognize his own limitations. In one battle sequence, Uhtred recognizes to himself, and the reader, that in his younger years he would have been one of the fierce young warriors in the fray of the fighting, but he stays back to be a leadership presence for his, knowing that his wound would make him a liability in the thick of the fighting.

This story focused quite a lot on Uhtred’s relationship with his children, Uhtred and Stiorra, and Aethelstan, the (non-)bastard son of Edward. While Uhtred’s regard for Aethelstan as an adopted son has become clear over the last few stories, his mentorship of whom he believes is a future king is on full display here.

This shift in tone is greatly welcome for a character whose brash decision-making was becoming tiresome, for the other characters, and for the reader. Uhtred is still confident, daring, and courageous, but he seems to have truly come into lordship not just as a warrior, but as a leader, and that transformation continues to be fascinating.

I’m also quite intrigued by the introduction of Sigtryggr. His character on The Last Kingdom TV series was a frightening and admirable, and I look forward to seeing how his character, and the Norse threat overall, develop going forward.

I was never out on this series, but I took a break after the last book. Now, I’m fully back in.

Steve D

Book Review: THE GRAVEYARD BOOK tugs at adult children’s heartstrings

On By Steven D'AdamoIn On Storytelling, ReviewsLeave a comment

Another wonderful modern fairytale by Neil Gaiman. At this point, I have no excuse whatsoever for not poring through every single story that Gaiman has ever written, because each story feels impactful and poignant.

I listened to the full-cast production of The Graveyard Book on Audible. I’m used to Gaiman narrating his own stories and being a fantastic storyteller. The full-cast production of The Graveyard Book is stellar; each voice actor brings nuance and feeling to their character(s), and the voicing brings real life to the scenes in a way I normally do not expect from audiobooks.

This story follows a boy who was raised in a graveyard after his family were murdered when he was a toddler, and eventually learns how to survive in the world outside. The boy, Bod, short for Nobody Owens, also must ultimately learn about the man who killed his family.

Gaiman writes primarily from the boy’s perspective, and Bod’s narrative voice grows naturally as he ages, a credit to Gaiman’s writing, and the voice actor’s work. Bod develops a close if curious relationship with his guardian, a not-quite-human-being named Silas who has an uncanny ability to fade into the shadows. Silas does not express the usual paternal emotions for his charge, but throughout the book, the emotional bond Bod has with Silas, and the other residents of his graveyard, are unshakable.

Yet again, Gaiman masterfully inserts pieces of folklore into his story to make it feel supernatural and mysterious and familiar all at once.

This is the third Neil Gaiman story I’ve read, and he is quickly bounding to the top of my favorite authors list. I cannot rave about this story enough, so I’ll stop myself before this gets out of hand.

Steve D

Review: THE WRONG ONE delivers thrilling twist

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Audible recently offered The Wrong One as part of some kind of sale. I’ll always give free books a shot, and I could definitely not say no to a novella by Dervla McTiernan.

I’ve read the first couple installments of McTiernan’s more well-known Cormac Reilly series, following a Dublin-born detective trying to figure out his career in Galway as he solves often strange cases.

McTiernan’s crime stories always have a slow burning build, usually following multiple characters, until the threads twist into an intense third act. It may sound formulaic, but the characters are always well-developed, and the twists are enough to put a reader off-kilter.

So, I went into The Wrong One expecting to be hooked from the start. Admittedly, I was not. The Wrong One uses two voice actors to narrate the respective point-of-view narrators in the story, and I was not a fan of the first narrator. I’ll go into a little more detail below, in a section marked for spoilers.

This first narrator had an odd inflection to his voice that irked me. The second narrator was good, fitting for a teenaged boy who thinks he knows everything.

Despite my issues with one of the narrators (and the character they were playing), the story’s tension ramped up rapidly with a looming realization and twist that only McTiernan can deliver with such fluidity and emotional weight. I ended up enjoying this story quite a lot. Now I just want to go read more Cormac Reilly stories.

Steve D

Spoiler section with some further thoughts…

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Alright, so I didn’t like the first narrator, playing Simon, had an inflection that made him sound emotionally vacant and like a know-it-all from the start, making him virtually unlikable. Then, as the story progressed, it becomes clear that Simon is more than full of himself — even delusional — about his advances towards Clara and her obvious (to everyone but him) complete disinterest in him. Then, his pathetic delusions became overbearing, then possessive, then manipulative, and then, holy shit it was him the whole time! Great twist. I’m telling myself that the strange voice-acting of the character was completely intentional to throw the reader off-balance from the start. Totally worked.

Book Review: SECRET SON is family and sociopolitical drama wrapped in one story

On By Steven D'AdamoIn On Storytelling, ReviewsLeave a comment

Secret Son portrays the life of a young man in a Casablanca slum trying to find his way. Caught between the stories of orphanhood and struggle his mother raised him on and the discovery of his real family, Youssef tries to understand who he is versus the various roles that society asks him to play.

As a fatherless boy from a poor area, Youssef’s prospects are limited until he finds a glimmer of hope in the discovery of his unknown wealthy father. Youssef is suddenly thrust into the elite circles of Casablanca life. As he tries to fit into this new world, he must navigate college, friendships, life as a working man, and the opposing wishes of his parents — the mother who raised him, and the father he always wanted.

Ultimately, Youssef’s uncertainty leads him astray, and he must find a way out. Like many disillusioned adults, he turns to the only people who seem to understand his struggle, a local political organization who promise to help the people of Morocco.

For the first part of this story, Youssef is the only point-of-view character. However, this changes when the meeting between he and his father is told first from his father’s perspective, and then again from Youssef’s. In this and other mirrored scenes, the reader is able to understand the interior thoughts of each participant — how they react to and often misunderstand each other. I found myself relating to each of the characters in different ways, whether Youssef’s desperation for a path forward, his mother’s attempts to set him on that path, and his father’s hope for a brighter future with his newfound son. Other characters, as well, helped to fill in the gaps between these three, to give the reader a full picture of the history of this family.

The abrupt ending and non-finality of any characters’ stories were surprising but fitting. The notions of Family, Identity, and Home don’t have beginnings, middles, and ends. They are relationships an individual evolves over time that shape one’s decisions and outlook, but rarely settle in one place.

Lalami captured the turmoil of family, of adolescence, and of despair amidst social stagnation in ways that many will be able to relate to. Great story.

Steve D

Book Review: 1984, and Truth against totalitarianism

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I just finished reading 1984 by George Orwell for the first time. Somehow, this book was not part of my high school reading curriculum. I feel like my high school English class had a huge reading list, and each class read only a selection — friends of mine read 1984, and my class read Brave New World, which I loved.

This book is a must-read for anyone who feels compelled to understand the psyche of fascism and totalitarianism.

If a reader comes to this book looking for character development, reasonable plot pacing, or much scene work beyond didactic dialogue, they will not find it. They will also be missing the point. From a story perspective, I really enjoyed the section focusing on Winston and Julia’s relationship, even if their time together ended rather abruptly.

Orwell’s story is a mechanism to explain the idea that totalitarianism seeks control as an end itself. The ideology doesn’t matter. Control over every aspect of life – even over thought, if it can be achieved – is the entire aim of the totalitarian system. To gain power over people and keep it is the only goal.

This book is a product of its time and timeless, as applicable a warning against fascism now as it was seventy years ago. As a lover of history, I was interested in the alternative rendering of the post-WW2 order, but I know there are likely other stories where this is the focal point, rather than the exposition dump Orwell uses. This section was particularly frightening to me as the end of the book drew near, as it provided a view into a world where Truth does not matter – even upon learning the truth about your reality, a totalitarian system’s entire existence is predicated on controlling you in spite of it.

Steve D

Book Review: THE PAGAN LORD grinds series progression to a halt

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The Pagan Lord is the seventh book in The Last Kingdom series by Bernard Cornwell, and this has been my least favorite of the series so far.

This installment has all the trappings of a classic “middle book”: no major plot progression for Uhtred or other main characters, stagnant action that lacks excitement or real stakes, and no new characters to liven up the story.

After several years of relative peace, the Saxons and Danes feel restless and wary for the next war that most don’t truly believe is coming. Uhtred, as always, if on the lookout for the next war, and his instincts end up proving correct.

However, this book feels like a regression for Uhtred as a character, who makes a rash mistake that leads to him being outcast by the Saxon kingdoms. Uhtred is bitter in his old age and still clings to his dream of retaking Bebbanburg, which makes him more desperate than in previous stories.

The wisdom and growth as a leader we had seen from Uhtred in recent stories seems to have eroded, perhaps because he has been rudderless for several years. It is perhaps fitting that this story also feels largely rudderless, like its protagonist, but it does not make for a very enjoyable read.

With both of his sons grown into men, Uhtred’s successes and shortcomings as a father are also on display. He is ashamed of his eldest son for becoming a priest, but his actions are those of a petulant child who did not find his heir in a son whom he largely neglected as a child. His second son is a brave lad eager to prove himself as a warrior, but Uhtred does more to put him down than build him up. Uhtred’s daughter, Stiorra, another child to whom he hasn’t paid much attention, is also notably absent from his life.

This was a decent story, but I’m hoping Uhtred snaps out of his funk. The narrator was okay, but did not bring the same intensity to the story that previous narrators have. Here’s hoping book eight picks up the pace again and Uhtred finds his way.

Steve D