Tag: audiobook

Book Review: THE GRAVEYARD BOOK tugs at adult children’s heartstrings

On By Steven D'AdamoIn On Storytelling, ReviewsLeave a comment

Another wonderful modern fairytale by Neil Gaiman. At this point, I have no excuse whatsoever for not poring through every single story that Gaiman has ever written, because each story feels impactful and poignant.

I listened to the full-cast production of The Graveyard Book on Audible. I’m used to Gaiman narrating his own stories and being a fantastic storyteller. The full-cast production of The Graveyard Book is stellar; each voice actor brings nuance and feeling to their character(s), and the voicing brings real life to the scenes in a way I normally do not expect from audiobooks.

This story follows a boy who was raised in a graveyard after his family were murdered when he was a toddler, and eventually learns how to survive in the world outside. The boy, Bod, short for Nobody Owens, also must ultimately learn about the man who killed his family.

Gaiman writes primarily from the boy’s perspective, and Bod’s narrative voice grows naturally as he ages, a credit to Gaiman’s writing, and the voice actor’s work. Bod develops a close if curious relationship with his guardian, a not-quite-human-being named Silas who has an uncanny ability to fade into the shadows. Silas does not express the usual paternal emotions for his charge, but throughout the book, the emotional bond Bod has with Silas, and the other residents of his graveyard, are unshakable.

Yet again, Gaiman masterfully inserts pieces of folklore into his story to make it feel supernatural and mysterious and familiar all at once.

This is the third Neil Gaiman story I’ve read, and he is quickly bounding to the top of my favorite authors list. I cannot rave about this story enough, so I’ll stop myself before this gets out of hand.

Steve D

Book Review: EXIT WEST and relatable worlds

On By Steven D'AdamoIn Reviews, Writers - Steve D'AdamoLeave a comment

Exit West has been in my Audible library for at least over a year — when Audible used to make their Originals content available as part of a monthly selection.

I picked it up and sort of forgot about it, buried at the bottom of my Not Started list. I finally decided to give it a shot.

I ended up enjoying Exit West much more than I had anticipated when I first started. Mohsin Hamid’s narrative starts off slowly, the first couple chapters introducing the protagonists, Saeed and Nadia, in terms of their relationships, families, and how they were raised in a predominantly conservative Muslim society.

What’s interesting is that Hamid never names the country in which Saeed and Nadia live, and the particulars of the political conflict that upends their lives is inconsequential. Hamid chooses to focus on how it impacts them to tell a story that could apply to any two people, from any society, at any time in human history.

This is reinforced in the structure of the story. Hamid uses a methodical narrative style to capture vignettes of the lives of his characters. He then extends this to nameless characters we meet only once, snapshots of people’s lives who on the surface have no relation to the protagonists but whose shared experiences enliven the story.

Hamid presents a fictional future that likely already exists in some countries and will be more widespread over the coming decades. As the political conflict quickly turns to civil war around them, Saeed and Nadia are forced to hide out in their own homes before making the heart-wrenching decision to escape through one of the many doors that transports people from one life to another.

This is a world in which human societies are more divided but also more interconnected, where large groups of migrants have to eke out their existence in new places, fundamentally reshaping the identity of the places they come to inhabit, as well as themselves.

Saeed and Nadia try to hold their fraying relationship together among this emotional tumult, and their bond becomes the strongest force holding the narrative itself together.

Speaking of the audiobook version, Hamid’s narration is steady, and emotional notes come not in his inflection, but in the meaning and rhythm of his words.

I’m pleased to find two other stories by Hamid available on Audible, and regret not listening to him sooner.

Steve D