Book Review: THE EMPTY THRONE gets the series back on track

Book #8 of The Last Kingdom series, The Empty Throne returns to form after what I felt was a bit of a mid-series lull in The Pagan Lord, the previous installment.

This book started with a point-of-view section of Uhtred, the younger, the son of the Uhtred who carries the series to this point. I really enjoyed this glimpse into the mind of the young man who is trying to follow in his father’s footsteps as a warrior and a future lord.

Uhtred, the elder is older now, wounded, but wiser. Some of the bitterness of the previous story has fallen away, and Uhtred is starting to truly recognize his own limitations. In one battle sequence, Uhtred recognizes to himself, and the reader, that in his younger years he would have been one of the fierce young warriors in the fray of the fighting, but he stays back to be a leadership presence for his, knowing that his wound would make him a liability in the thick of the fighting.

This story focused quite a lot on Uhtred’s relationship with his children, Uhtred and Stiorra, and Aethelstan, the (non-)bastard son of Edward. While Uhtred’s regard for Aethelstan as an adopted son has become clear over the last few stories, his mentorship of whom he believes is a future king is on full display here.

This shift in tone is greatly welcome for a character whose brash decision-making was becoming tiresome, for the other characters, and for the reader. Uhtred is still confident, daring, and courageous, but he seems to have truly come into lordship not just as a warrior, but as a leader, and that transformation continues to be fascinating.

I’m also quite intrigued by the introduction of Sigtryggr. His character on The Last Kingdom TV series was a frightening and admirable, and I look forward to seeing how his character, and the Norse threat overall, develop going forward.

I was never out on this series, but I took a break after the last book. Now, I’m fully back in.

Steve D

Book Review: THE GRAVEYARD BOOK tugs at adult children’s heartstrings

Another wonderful modern fairytale by Neil Gaiman. At this point, I have no excuse whatsoever for not poring through every single story that Gaiman has ever written, because each story feels impactful and poignant.

I listened to the full-cast production of The Graveyard Book on Audible. I’m used to Gaiman narrating his own stories and being a fantastic storyteller. The full-cast production of The Graveyard Book is stellar; each voice actor brings nuance and feeling to their character(s), and the voicing brings real life to the scenes in a way I normally do not expect from audiobooks.

This story follows a boy who was raised in a graveyard after his family were murdered when he was a toddler, and eventually learns how to survive in the world outside. The boy, Bod, short for Nobody Owens, also must ultimately learn about the man who killed his family.

Gaiman writes primarily from the boy’s perspective, and Bod’s narrative voice grows naturally as he ages, a credit to Gaiman’s writing, and the voice actor’s work. Bod develops a close if curious relationship with his guardian, a not-quite-human-being named Silas who has an uncanny ability to fade into the shadows. Silas does not express the usual paternal emotions for his charge, but throughout the book, the emotional bond Bod has with Silas, and the other residents of his graveyard, are unshakable.

Yet again, Gaiman masterfully inserts pieces of folklore into his story to make it feel supernatural and mysterious and familiar all at once.

This is the third Neil Gaiman story I’ve read, and he is quickly bounding to the top of my favorite authors list. I cannot rave about this story enough, so I’ll stop myself before this gets out of hand.

Steve D

Review: THE WRONG ONE delivers thrilling twist

Audible recently offered The Wrong One as part of some kind of sale. I’ll always give free books a shot, and I could definitely not say no to a novella by Dervla McTiernan.

I’ve read the first couple installments of McTiernan’s more well-known Cormac Reilly series, following a Dublin-born detective trying to figure out his career in Galway as he solves often strange cases.

McTiernan’s crime stories always have a slow burning build, usually following multiple characters, until the threads twist into an intense third act. It may sound formulaic, but the characters are always well-developed, and the twists are enough to put a reader off-kilter.

So, I went into The Wrong One expecting to be hooked from the start. Admittedly, I was not. The Wrong One uses two voice actors to narrate the respective point-of-view narrators in the story, and I was not a fan of the first narrator. I’ll go into a little more detail below, in a section marked for spoilers.

This first narrator had an odd inflection to his voice that irked me. The second narrator was good, fitting for a teenaged boy who thinks he knows everything.

Despite my issues with one of the narrators (and the character they were playing), the story’s tension ramped up rapidly with a looming realization and twist that only McTiernan can deliver with such fluidity and emotional weight. I ended up enjoying this story quite a lot. Now I just want to go read more Cormac Reilly stories.

Steve D

Spoiler section with some further thoughts…

Alright, so I didn’t like the first narrator, playing Simon, had an inflection that made him sound emotionally vacant and like a know-it-all from the start, making him virtually unlikable. Then, as the story progressed, it becomes clear that Simon is more than full of himself — even delusional — about his advances towards Clara and her obvious (to everyone but him) complete disinterest in him. Then, his pathetic delusions became overbearing, then possessive, then manipulative, and then, holy shit it was him the whole time! Great twist. I’m telling myself that the strange voice-acting of the character was completely intentional to throw the reader off-balance from the start. Totally worked.

Book Review: DEATH OF KINGS ages the series gracefully

Death of Kings is the sixth book in the series of a thousand names… The Last Kingdom, The Saxon Stories, The Saxon Chronicles… This book serves as a nice change-up for the series at a point where the general arc of each story starts to feel predictable

  1. Uhtred clashes with his liege-lord, King Alfred of Wessex and yearns to be free of his oath.
  2. A Danish lord raises an army an threatens Wessex.
  3. Uhtred meets his army and kills the Dane in battle, bolstering his reputation.

That’s reductive and not really fair to a series I have greatly enjoyed, but it’s not hard to see how some readers might become bored of that type of formula.

Death of Kings plays with that formula a bit to lull both the reader and Uhtred, our protagonist, into a sense of complacency and end on a bit of a surprise. Yes, Uhtred must confront a Danish army, but he is now trying to do so in league with Edward, the newly raised king of Wessex, who is young and well-liked, but untested and uncertain.

The story proceeds and it feels as though our characters are approaching war… but the war doesn’t come. Uhtred is baffled by this, until he realizes a crucial piece of information, and the confrontational battle we’ve come to expect out of these books comes with a unexpected suddenness and a surprising turn of events.

This book is also an interesting advancement of Uhtred and several other characters. We meet an older Uhtred and walk with him through a changing of the guard, so to speak, among the leaders of both Saxon and Dane. There’s a lot of good character work with Uhtred, Aethelflaed, and Edward, and it’s clear that the relationship between these three will be pivotal going forward.

Steven Perring is a good narrator who brings a somewhat wiser and less intense voice to Uhtred. This feels appropriate given Uhtred’s Old Man Status (he’s 45 and describes himself as an old man with a graying beard), although I do miss Jonathan Keeble’s iconic narration from previous installments.

Steve D

See reviews of previous installments in this series here.

Review: TOWERS OF MIDNIGHT overcomes Middle Book Syndrome

Towers of Midnight is the thirteenth and penultimate book in Robert Jordan’s The Wheel of Time series. I’ve been reading this series off and on for about six years. It took me some time to get through this book, primarily because I wanted to savor it, rather than rush through it to get to the end. That was a wise decision.

I consider this installment a “middle” book for two reasons.

  1. The Gathering Storm (book 12), Towers of Midnight (book 13), and A Memory of Light (book 14) are very clearly the final act in this sprawling series, narratively.
  2. They are also the final act in their production. Sanderson worked with the editor, Jordan’s widow, to split the final act into three books, and produced these three volumes.

This review contains spoilers for this book and those preceding it in The Wheel of Time.

So when I say that Towers of Midnight overcomes Middle Book Syndrome, I really mean that as a transitionary book to build to the climax that is surely waiting in A Memory of Light, this book succeeds.

Towers of Midnight is a compelling read jam-packed with fascinating plot lines centered around our main characters, especially Mat and Perrin, but also Elayne and Egwene. Other staple characters like Faile, Nynaeve, Lan, Galad and Gawyn also build towards a rich narrative.

It is very much a middle book in that these plot lines serve to close out long-running narrative threads, such as Perrin’s rise to leadership, Mat’s shifting focus back towards Rand and the Last Battle, Egwene’s cementing of her power as Amyrlin, and Elayne’s marshaling of power around her throne in Caemlyn.

These characters are shifting, slowly and inexorably, towards the Last Battle. In doing so, Towers of Midnight necessarily takes on the hefty task of transitioning the characters, all of the hundreds of characters, and the reader into Tarmon Gaidon.

That’s not to say that A Memory of Light opens with the Last Battle and is one massive compendium of fighting. (I’m a few pages in and can confirm this is not the case.) But after 13 novels of ever-increasing length and complexity, everyone is facing the same direction: towards The End.

Some sections of the book drag a bit — Perrin’s training in the wolf dream with Hopper and his inevitable face-off with Slayer took me a bit to get through, both because of the tension that had been built and because I wanted to get past it. Still, I understood in the moment that his realization and acceptance of his true self was necessary to Perrin’s facing of the Whitecloaks.

Overall, though, Sanderson churns through these plot lines and still manages to provide some surprises, some poignant moments, and some clean breaks with narrative threads that would no longer serve the end of this series.

After the numerous books I struggled to get through, or even to understand at points because they were so weighed down with characters about whom I could not bring myself to care, I’m honestly still a little awestruck at how neatly Towers of Midnight, and The Gathering Storm before it, have brought us to this point.

Like I said, I’ve already started A Memory of Light. I’m thrilled and simultaneously reluctant to get to the end of this series. That, I think, is testament enough to its storytelling power.

Steve D

Book Review: THE ANCIENT CELTS builds a framework for Ancient European history

The Ancient Celts audiobook occupied my listening time during a couple of recent weekend road trips, and it turned out to be enjoyable and informative.

The Ancient Celts is an excellent historical framework through which to view and discuss the identity and meaning of the term Celtic and the ancient peoples to whom it can be applied. This is the type of history where author Barry Cunliffe strays into several other topics in order to build his primary case.

Ancient Greece, Rome, the Scythians, and Phoenicians all make appearances as Cunliffe traces a millennium of migrations and conflicts across Europe involving various Celtic groups. Cunliffe focuses on the material archaeological record for his study, but he does not hesitate to pull in writings of the Classical era, and previously established linguistic evidence to build his case.

Cunliffe’s ultimate case is that the Celts can be identified as a distinct cultural and linguistic group from the Middle Danube region from the end of the Bronze Age, who had a stark impact on the Classical civilizations of Europe and spread as far south as Egypt, as far East as modern Turkey, and as far west as the Atlantic coast of Europe, and whose cultural remnants can still be seen today.

Interestingly, Cunliffe bookends his study with discussions on the revival of Celtic identity over the last few centuries, and what this might mean in relation to the Ancient Celts he tries to understand. He posits the subjective question of who the Celts were and who they are today, and answers with a surprisingly simple, yet effective statement: anyone who considers themselves Celtic, whether that is through spoken language, material culture, or more ephemeral forms of identity.

Steve D

Book Review: THE LAST KINGDOM and engrossing characters and story

After years of watching the show and hearing from my father-in-law that I would love Bernard Cornwell’s The Saxon Stories series — now more famously known as The Last Kingdom series — I finally listened to the first story, The Last Kingdom, on Audible.

This was my first introduction to Cornwell’s writing, having watched all of the TV adaptation of “The Last Kingdom” previously. Even though I came into this book with inflated expectations, I was definitely not disappointed.

The Last Kingdom follows young Uhtred, the son of an English noble, from the time he is kidnapped by a Danish earl, Ragnar, until he becomes a man. This first installment is effectively a coming-of-age story, where Uhtred learns how to live like a Dane and how to be a true warrior. He learns early on that he has a strong lust for battle and killing, and he chooses the warrior’s path for himself, becoming caught between his Saxon heritage and his Danish upbringing.

Cornwell’s story is exciting, and his plot is punctuated by thrilling action sequences and scenes of dialogue that do most of the heavy lifting in revealing the characters. Many of the names would be familiar to those who had watched the titular Netflix show, but the story is far more in depth.

I thoroughly enjoyed seeing more of Uhtred’s early years, which are largely glossed over in the show. The reader gets to see more of the relationship between Uhtred and Ragnar, which truly becomes a father-son bond as the young Uhtred grows. This story lays a strong foundation for Uhtred to constantly be pulled between the two halves of his heart — the half that wants to help Ragnar the Younger in avenging the death of their father, and the half that wants to reclaim his birthright as lord of Bebbanburg.

This story also sets up what is sure to be a fiery relationship/rivalry between Uhtred and King Alfred of Wessex, as Alfred ensnares Uhtred deeper and deeper in the politics of Wessex (and his liege-ship), and Uhtred tries to angle for a chance to see his homeland in Northumbria reclaimed. The dialogue scenes between Uhtred and King Alfred crackle with tension.

If I had one gripe against this story, it’s that I don’t know if I would enjoy it as much if I didn’t already know the characters. Being able to see the actors’ faces in my mind as I listened brought this story to life in a way that many others cannot be.

Can’t wait to start the next one.

Steve D

Book Review: INTERIOR CHINATOWN and commentary on Othering in America

Charles Yu exposes a ton of insight into what it’s like to be a “Generic Asian Man” in America. In Interior Chinatown he tells the story of an actor, Willis Wu, trying to work his way up the ladder, advancing from Generic Asian Man #3, to #2, through several intermediary roles, until at last he gets the chance to play the dream role: Kung Fu Guy.

That is all Willis thinks he is capable of becoming, a trope of cinema and a caricature of himself.

Through this experience, and with some much needed help from his family, Willis comes to realize that Kung Fu Guy is still just another version of Generic Asian Man, just like Old Asian Man or Asian Seductress.

In a strange but emotionally stirring scene in which Willis is “on trial” for boxing himself in racially and socially, he (and the reader) learn some tragic tidbits about how the US has treated immigrants from East Asia, and especially China throughout its history.

This is yet another side of history that we don’t often find in American textbooks; policies like the Page Act of 1875 and the Chinese Exclusion Act of 1882, which took steps to effectively ban all immigration to the US from China. The Chinese Exclusion Act was the first of its kind to ban immigration based on race or country of origin. There were also a series of Supreme Court rulings in the 1920s which sought to exclude Asians from naturalization in the US. (Read more here).

Ultimately, Willis realizes that he is playing into a system which exacerbates his own place as Asian Man; a role which continues to flummox American society at large, even after 200 years of immigration (particularly from China).

I found the structure of this story odd at first. It read like a TV script, with characters delivering lines to each other in such a way that it was difficult to tell at times when Willis was actually acting in a scene for one of his roles, versus when he was “playing” a role as Asian Man in his everyday life. This storytelling mechanism is intentional, of course, and does lend to the author’s crucial commentary, in the form of the protagonist’s monologues.

Overall enjoyed this, but more than anything, Yu makes me want to read more about the Chinese American experience, and the US’s abominable history, distant and not so distant, in this (and many other) regards.

Steve D

Book Review: BRAIDING SWEETGRASS draws you in and inspires

I recently listened to Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants by Robin Wall Kimmerer. This is another book I happened across while browsing Goodreads, and I gave it a shot to broaden my reading list a bit.

I can’t remember the last time I have been so completely inspired by a book — inspired to take action, but also emotionally.

Kimmerer’s book is a wonderfully woven selection of stories from her personal life, her career as an ecologist, and her own rediscovery of her Potawatomi heritage.

She cleverly leads the reader on a wandering journey as she tells of her own experiences as a student, a teacher, a mother, a scientist, an Indigenous woman, and a being with personhood (other beings with personhood include trees, plants, animals, rivers, basically everything in the natural world), to discuss the damage we have done and are doing to indigenous culture, to the natural world, and by extension, to each other.

I must admit that I found this book hard to follow during the early chapters. Kimmerer seemed to be telling random stories with no clear direction. But this series of vignettes begins to paint a larger picture as she describes a project she worked on with a fellow grad student to prove her hypothesis that sweetgrass would grow better with a human caregiver selectively harvesting it — a notion that goes against traditional Western science’s insistence that humans are separate from the environment, rather than an integral part of it.

In their experiment, Kimmerer, her colleague, and their team demarcate plots of sweetgrass and treat each one according to several variables. There were those they did not harvest at all, those they harvested by snipping at the stem, and those they harvested by pulling entire clumps of sweetgrass from the dirt. Over the course of two years, they consistently found that the plots where they were actively harvesting sweetgrass grew back better the next season. They did not wipe out an entire plot by harvesting, but instead let the sweetgrass regrow on its own terms. And they were right. This technique showed that the plots which were untouched did not regrow well at all — the older taller stalks of sweetgrass went untouched and prevented new growth, eventually choking out younger stems until their plots suffered.

There are almost too many lessons to try to take away from this book in one reading. From sustainable gardening and agriculture to on-the-ground conservation efforts to throwing support to indigenous communities’ efforts to reclaim their language and traditions, this book highlights a long list of efforts we need to make to provide a more sustainable future.

I came away from this reading both angered and inspired, frustrated and hopeful. Kimmerer does not offer hard and fast solutions — there are too many, and too complex, to enumerate in a single volume — but she does present the reader with a call-to-action, to begin pushing for change, or at least enacting change in our daily lives.

I like the idea of a larger, more sustainable garden that we can harvest vegetables from, and allowing sections of our yard to grow “wild” with shrubs and bushes native to our area and beneficial to the other fauna and flora. I also know that I need to identify local organizations focused on ecological restoration and sustainability, but finding these can be tough, at least at first.

It’s still difficult to pin down specific steps I can take as an individual towards a more sustainable future, but this book has laid the path. We just have to follow it.

Steve D

Book Review: DAUGHTER OF BLACK LAKE brings family drama to the Iron Age

I listened to Daughter of Black Lake by Cathy Marie Buchanan recently and quite enjoyed it.

I was drawn to this story mostly by the setting, the concept of a fiction set in Iron Age Britain. Daughter of Black Lake is not a military story of Romans and druids and seething tribesmen, although these devices make their appearances throughout the story. Instead, this is essentially a family drama that switches point of view between a daughter and her mother as a girl, whose lives and those of the people of their village are intertwined across generations.

This POV switching feels unexpected at first, but you quickly settle into the differing viewpoints between Hobble and her mother, Devout, even though Devout is narrating a decade or more in the past.

They each tell their versions of events impacting their family, with Hobble able to “see” more than most people know. She is gifted as a seer.

The story follows them both as Devout comes to find love and choose her mate, and as Hobble learns the dangers that outside influences can have on her quiet village of bog-dwellers. This back-and-forth narrative is a really interesting way to see characters interact across generations, first as children and adolescents interacting with each other or their elders, and then as adults, trying their best to help their families and their village survive.

The setting is vivid with pre-Roman and pre-Christian rites, prayers, social structures, and behaviors that guide each character’s decisions. These traditions are then thrown into conflict with the encroachment of Roman soldiers into the region, whose very presence, though distant, hangs over the bog-dwellers as an ominous threat to their way of life.

Although I typically don’t get into village drama-style narratives, I enjoyed the story for what it was. The characters were well written and distinguished, and the story was compelling. Mostly, I just wanted to spend time in the boggy village of Black Lake. Buchanan’s description give just enough detail to paint a clear picture, and her world felt entirely accurate, even as an astute reader questions how much we really know about the traditions and beliefs of pre-Roman Britons.

I would definitely pick up another book by Buchanan set in the same era, regardless of the plot, just to be able to step back into this world.

Steve D