Book Review: THE BRIGHT SWORD

The Bright Sword by Lev Grossman is a deeply intimate retelling of the Arthurian legend, of the rise and fall of dynasties, and of the meaning and power one person can hold over kingdoms, countries, and his dearest friends and relatives.

I picked up this book on Audible without any prior knowledge of it, and I greatly enjoyed it.

Grossman pulls all of the legends of the Arthurian tales – Bedivere, Gawain, Gallahad, Lancelot, Morgan, Morgase, Guinevere, and many others – and brings them into a grounded story of the final days of Arthur’s reign.

Without giving away any spoilers, Grossman does a great job of blending the main plot with flashback chapters to explain how each of the main characters got to where they are in the story. This structure served to drive the narrative forward while helping contextualize and humanize the larger-than-life figures one expects to meet in a tale of Arthur.

The story’s use of both fae and Christian mythology was fascinating and only added to the world-building. This is a true high fantasy tale, and the author (as he admits in his note) takes some liberties with historical accuracy.

This is all fairly smooth in the actual reading; the overarching plot and abundant appearance of magic mean there are no illusions about this attempting to be historical fiction.

Would definitely read again, as well as Grossman’s other novels.

Steve D

Book Review: SISTERSONG reignites old magic in Dark Age Britain

I recently listened to Sistersong by Lucy Holland on audiobook. I’m in the midst of an era kick, where I’m almost exclusively interested in historical fiction or fiction stories set in Dark Age Britain. So, I found this book as part of my keyword search on Audible, and it sounded intriguing.

I enjoyed it, overall.

This was a very intricately and well written story. Holland deftly weaves part fairy tale, part ballad about the stories we tell ourselves and how they come to define us. This story follows three siblings who are each struggling to understand or reconcile some part of themselves, or, in my ways, some part of their relationships with their parents and with each other.

Thus, the story quickly becomes part family reckoning, part coming-of-age, and part classical drama, all wrapped in a tale of lost magic and impending war.

Having known nothing so this story or author beforehand, I found it both surprising and familiar, in the way that classical storytelling forms often are. I recognized the beats as they came, but the characters’ lives were so vivid that their inner emotional turmoil drove the tension.

Each of the three siblings at the center of Sistersong has a unique voice that reflects the others, making their interactions poignant in every scene. Holland peppers her story with enough twists and interesting character turns to make it feel unique.

The soft magic system felt a bit all-powerful for my liking, but it was not a ‘deus ex machina’ effect. Magic permeated the narrative, but did not drive it completely.

Steve D

NaNo Update: I Need More Fantasy

I hit a weird snag in my NaNo novel on Wednesday, one I did not expect to hit after my record-shattering (for me) weekend. I got bored with my story. I was bored with Aston (he is so terribly naive, something I may have to fix in the editing process), I was bored with the section I was writing, and I was bored with Everfeld. I wrote 135 words, and I don’t even like most of them. I get it,  at least I wrote something. But I was not looking forward to coming home on Thursday and staring at the laptop screen again. Continue reading “NaNo Update: I Need More Fantasy”