It’s a pleasant surprise to see a true blues artist on pop radio in 2014. The Black Keys are the perfect example of a blues rock (more rock than blues) group who burst onto the mainstream scene with a sound that was revolutionary not in how much it changed music, but in how it reaffirmed the staying power of staple rhythms behind heavy distortion riffs and lyrics of struggle and loss. Their seventh studio album El Camino took home the 2013 Grammy’s for Best Rock Album, Best Rock Song, and Best Rock Performance (both for the single “Lonely Boy”).
Now, just in time for serious Grammy’s 2015 chatter, we have another artist bursting into mainstream pop consciousness with a sound that both reminisces and transcends the Blues. Continue reading “The Fever Dreams of Hozier”