The 4 Most Frustrating Story Hang-Ups for Writers

Creativity Sessions writing process. Evening Satellite Publishing.

As a writer, it feels great to find your rhythm with a story. You’re flying along the keyboard — or paper, or vellum — and the words seem to shoot from your fingers. You don’t even seem to have the same tiredness in your hands, or the ink stains on your pinky that you so often get with less fruitful writing ventures.

But we all know those high-flying moments are the anomalies when writing a long piece, like a novella.

More often, you find yourself caught up in some absurdly minute detail that you simply cannot leave behind until you find the perfect word, even if it’s just one among tens of thousands.

These hang-ups can be entirely derailing to a decent writing flow, but you’re not the only one it happens to. Here are a handful of the more frustrating writing hang-ups we’ve all likely encountered.

#1 – That. Perfect. Term. Word.

I mentioned it above, and we’ve all been there. How many times have you searched through a thesaurus to find just the right phrasing? Or some alliterative flair? (I know that wasn’t alliteration, but I didn’t feel like spending several minutes looking for a synonym for flair.) Or even the word with the right etymological root to fit the style of your story?

The answer is too many times. But we’ll all do it again.

#2 – An NPC’s Name, or Clothes, or particular shade of brown hair

I know, I know, writers aren’t supposed to refer to their own creations as “non-playable characters”. Every character is the hero of their own journey, et cetera. But every story has them — characters that you know for a fact you will never see again, but because they’ve met your Main Character in some backwater inn and happen to have a bit of knowledge to help your Main continue their quest, they just have to have a name, and maybe a few clothing descriptors. And a cool tattoo. And strangely penetrating eyes that seem to hide deep-seeded pain. Aaaaaand now you’re writing a short story for them.

I suppose that’s what name generators are for.

#3 – The Dreaded Scene Transition

I definitely struggle with this one. You’re writing a scene that you know has to take your characters to the next place, or the next plot point, but you just can’t seem to make the turn. So it feels like you only have two options: let the transition drag on for another several paragraphs, detailing every step each of your characters are taking, throwing in random chit-chat dialogue that, while entertaining, is certainly not getting them anywhere fast, and overall just refusing to end the current train of thought…

Or you could make an awkward narrative jump that feels like you’re leaving something behind, but you’re not quite sure what. And now you just have to move on.

#4 – The Scene that Grows Too Big

This is sort of the opposite of number three, where a scene grows far beyond what you had intended, either in length, or scope, or even in its emotional weightiness. Maybe some of you wouldn’t consider this a hang-up, but it can be disruptive if it no longer lets your narrative flow in the way you had it outlined. That’s when the Dreaded Scene Transition hits, but you can’t just delete all that great work! So maybe you reform it until it flows better. Or you leave it and change your outline!

More Hang-Ups!

Those are just four potential hang-ups that I definitely run into every now and then, and I’d bet a lot of other writers do, too. Leave a comment with your “favorite” storytelling hang-ups!

Steve D

On Being an Expert in Your Own Writing Style

Expertise is a weird concept. It can’t really be quantified, but it’s used to qualify pretty every facet of life, at least in terms of a person’s performance in a particular role, or with a particular skill.

When I was unemployed, I gave a lot of thought to my own expertise, mostly related to my professional career, but also my writing career. It might be difficult to identify your own expertise in anything. That kind of label is likely bestowed upon you by others. Anyone can call themselves an expert in something, but when someone else calls you an expert — that’s a good sign you’re headed in the right direction.

Expert storytellers, expert editors, expert linguists or “wordsmiths”. These are the types of qualifiers used to describe respected authors. It may seem strange to refer to yourself as such — I definitely do not feel like I’ve earned any of these — but you should at least be an expert in your own writing.

Know Your Writing Style

Once you’ve written more than one story, with different characters, different settings, maybe in a different world, you start to notice your own writing quirks.

If you’re writing your first story, it may be hard to identify your writing style. You’re just trying to get words onto paper and figure out how to build a narrative. And that’s okay.

But I think here are still some ways you can reflect on your writing and pick out your style — and enhance it. Think about the following patterns in your writing style.

  1. How do you describe characters?
  2. How do you describe settings?
  3. Is your dialogue short and direct, or long and flowery?
  4. Do your characters use a lot of mannerisms or facial expressions when they talk?
  5. Are your scenes broken up by chunks of more expository or narrative writing?
  6. Are your chapters or sections a consistent length, or does each one vary by more than a few pages?

Become the Expert in Your Style

There are no right or wrong answers to any of the above questions, but thinking about as you write can help you pick out your tendencies.

For instance, I tend to start character descriptions at the eyes, at least when the characters are standing near each other. I like reading people’s eyes when I talk to them, trying to understand their mood or their mindset, and I’ve projected that interest into a lot of my characters.

I also tend to use two ways of describing setting: I either use the POV character’s senses to “see” their immediate surroundings, or I take a broader view, almost looking down on the character from above to provide more of an atmospheric description.

Once you understand your tendencies, you can start to vary them so your writing doesn’t become stale or predictable. This can also just make your writing more interesting to you. After all, there are only so many ways to describe a forest.

I like to describe my characters’ facial expressions and mannerisms as they speak to liven up the dialogue. However, I’ve found that short, direct dialogue with little description can be used to pick up the pace of the story.

Understanding that initial tendency and trying to change it up depending on the situation has helped me create urgency in scenes that require it, or slow down and lean on more detailed conversations that really enliven the characters.

During your revision or editing sessions, try to pay a bit of attention to these types of questions and understand your own habits as a writer. You may decide to alternate your style depending on the scene, the character, or the story. If you’re happy with what you find and want to reinforce a certain pattern, then that’s great, too.

As long as you’re becoming an expertise in your writing style, it will feel natural to your readers.

Steve D

How Pantsing Makes Revising Harder than It Needs to Be

That’s right, I said it. My semi-pantser model of writing the early drafts of WoEM has become a bit of an annoyance. I think I have been converted to a planner.

Now that I’m well into of my revisions — in the final third of my story — my somewhat free-wheeling outline style has come back to bite me.

Luckily, I found a somewhat easy way to fix it… and avoid it in the future. Continue reading “How Pantsing Makes Revising Harder than It Needs to Be”