Exercise 6, Part 1: The Old Woman

Back at it with Exercise 6 from Ursula Le Guin’s Steering the Craft book. Chapter 6 was about verbs, specifically dealing with person and tense. This serves as a prelude to chapter 7, which is a long chapter on point of view.  I have to admit I procrastinated on this exercise – and I did so for a reason that surprised me! First, though, the prompt:

“Exercise Six: The Old Woman

This should run to a page or so; keep it short and not too ambitious, because you are going to write the same story twice.

The subject is this: An old woman is busy doing something – washing the dishes, or gardening, or editing a PhD dissertation in mathematics, whatever you like – as she thinks about an event that happened in her youth.

You’re going to intercut between the two times. “Now ” is where she is and what’s she’s doing; “then” is her memory of something that happened when she was young. Your narration will move back and forth between “now” and “then.”

You will make at least two of these moves or time jumps.

Continue reading “Exercise 6, Part 1: The Old Woman”

Exercise 5: Chastity

The exercise Le Guin’s proposes at the end of chapter 5 takes far longer to complete than her short little chapter (just two and a half pages!) on adjectives and adverbs would lead you to believe. She admits that this one is hard and suggests you do it away from the pressure of a class or group. I did find myself staring at the blank page for quite a while…once I did start writing, I was surprised at the sinister turn my little paragraph took.

Exercise 5: Chastity

Write a paragraph (200-350 words) to a page of descriptive narrative prose without adjectives or adverbs. No dialogue.

The point is to give a vivid description of a scene or action using only verbs, nouns, pronouns, and articles…

Ursula Le Guin, Steering the Craft, page 45.
Continue reading “Exercise 5: Chastity”

Exercise 4, Part 2: Again and Again and Again

Of the two exercises in Chapter 4 of Steering the Craft, I thought this one was the harder. It was also the first time Le Guin gave us the option to write a complete short story.  The other exercises had pretty tame word counts – 150, 250, 350 words – but this time, she didn’t limit us. And if Ursula Le Guin suggests doing something, I figure it is worth a serious listen.

“Part Two: Structural Repetition

Write a short narrative (350-1000 words) in which something is said or done and then something is said or done that echoes or repeats it, perhaps in a different context, or by different people, or on a different scale. 

This can be a complete story, if you like or a fragment of a narrative.

(Page 41-42 of Steering the Craft, by Ursula Le Guin)

I did try to make it a complete story – came in a 1285 words – woo!

Personal Earthmovers

Even though the surrounding hills were lined with tract houses rising side by side up gently curving streets, it was still shocking to see the denuded foothills straight ahead on the freeway. The yellow and brown chaparral, which burst into green every spring as long as rain fell during winter, was now raw dirt. Earthmovers and bulldozers were leveling terraces for another development in another Los Angeles suburb. They pushed the heavy clay soil to and fro across the face of the mountain.
Continue reading “Exercise 4, Part 2: Again and Again and Again”

Exercise 4, Part 1: Again and Again and Again

Back to doing the exercises in Ursula Le Guin’s excellent Steering the Craft book! Chapter 4 is about repetition and its power in storytelling. Thinking back to my English classes of yore, I remember being taught the opposite – to avoid repetition at all costs. One of my high school English teachers had this list of catchy “writing rules” and one of them was “NO PIZZA PIZZA” (after the overly prevalent Caesar’s Pizza commercial on TV) to remind us not to repeat ourselves. So it was refreshing to see Le Guin demonstrate how beautiful and useful repetition can be.
Continue reading “Exercise 4, Part 1: Again and Again and Again”

Exercise 3 Part 1: Short and Long

I’ve been keeping up with the writing exercises in Steering the Craft by Ursula K. Le Guin and so I am onto the next one. I’ve realized that I had mis-numbered them for the posts – exercise 2 should have been “1 Part 2” since Le Guin numbers them with the chapters, so I went back and fixed my past posts.

This exercise also has two parts and is from Chapter 3 “Sentence Length and Complex Syntax.”

Part One: Write a paragraph of narrative, 100-150 words, in sentences of seven or fewer words. No sentence fragments! Each must have a subject and a verb.” Page 32 of Steering the Craft

Here it goes:
Continue reading “Exercise 3 Part 1: Short and Long”