Book Review: NO GOOD MEN AMONG THE LIVING and the tragic debacle of the War in Afghanistan

Last month, I listened to the audiobook version of No Good Men Among the Living: America, the Taliban, and the War through Afghan Eyes, by journalist Anand Gopal.

I was barely a teenager when the War in Afghanistan began in 2001, and I remember the profound effect it had on me at the time.

When the war turned into an occupation and nation-building experiment, and then a resurgence of the Taliban, I knew that I didn’t understand the whole story. In the aftermath of the US’s abrupt exodus from Afghanistan, I was completely perplexed by how fruitless it had all been, with the Taliban back in power, and seemingly stronger than before.

Anand Gopal’s book traces the years before the American invasion, starting with the monarchy and Communist revolution in the 1970s, which prompted Russia’s occupation. From the late 80s and early 90s, Gopal begins following the involvement of various actors in the militias that formed in response to the Russian occupation, leading to the bloody civil war of the mid-1990s. The Taliban had gained control of large portions of the country by the outset of the American invasion, a sudden and confounding incursion, from the perspective of many of the locals interviewed, that was largely welcomed.

Gopal’s accounts of the lives of several Afghan people before and during the American war there is a fantastic narrative. It is also a devastating and infuriating demonstration of the downfall of American policy in the country.

The American policy, as told by several local actors and recounted by Gopal, had been to fight “terrorism” wherever it could be found. This led to local strongmen accusing their rivals of being enemies of the American mission, while American military leaders seemed completely clueless of the tribal rivalries and affiliations that had existed long before their invasion.

It is not difficult to see how the rise of strongmen across Afghanistan, funded by US taxpayers, created a self-perpetuating war machine that favored disunity and brutal politics, even as Afghanistan’s first democratic government tried to establish control.

Even though it was published in 2015, Gopal’s account also makes it easier to understand how the government could collapse so completely and utterly to the Taliban in 2021.

There were parts of this book that made me curse aloud at the sheer ignorance and brutality of it all. This book is not about choosing sides, except perhaps the sides of the civilians trying to survive the war. Gopal speaks to the cruelty of the first and subsequent Taliban regimes, but he also presents the reader with the callousness of American operations, many of which inadvertently targeted civilian homes or facilities (such as schools) that had no connections with the enemies the Americans were hunting.

This was not an easy read, but a necessary one for anyone who wants to understand what it might have been like to try to live through this war. It is tragic, infuriating, and shameful, and it makes me doubt what the American military and intelligence establishment has learned from this war, if anything.

I feel like the figures in this book have more stories that need to be heard, but I fear how they have fared in the intervening years.

Steve D

Book Review: BLACK LEOPARD, RED WOLF is a portal to an intricate world

A couple weeks ago I finished reading Black Leopard, Red Wolf, by Marlon James.

This book took me a while to get through in audiobook format.

I held out because I knew that a story as deep and emotionally resonant as this had to be going somewhere, and I was riveted by Dion Graham’s masterful narration. I’m ultimately glad I stuck with this one.

This is an unbelievably well-crafted story, characters, and world. Based on African myth and lore, it’s difficult to find an apt comparison in modern epic fantasy for this book. Because it doesn’t take from Western fantasy, it feels new and intimidating in a way I haven’t experienced for some time. The world itself is as unknown as the characters and the plot.

James writes with a ferocity of emotion that Graham only elevates with voice changes and ornamentations worthy of the greatest dramatic pieces. Black Leopard, Red Wolf has to be one of the best fantasy epics in recent memory.

My reading and understanding of it was lost during the first third of the story, where I found it difficult to understand what was happening and where the story was headed. It was extremely detailed, and kept jumping around in time between the protagonist, Tracker’s, early life, and his questioning by an inquisitor sometime in the future.

By the middle of the book, I had found the story’s rhythm, and by the final act, I was enraptured. At the moment, I can only recommend this as one of the best written fantasy novels I’ve read in a long time.

I intend to get the novel in hardcover to read it again. As for the sequel, Moon Witch, Spider King — I may just have to read both the hardcover and audio versions, to sink into James’s story and float away with Graham’s narration.

Steve D

Book Review: OATH AND HONOR presents frightening account of Jan. 6

When I saw Liz Cheney’s memoir, Oath and Honor: A Memoir and a Warning, available for preorder, I knew I had to read it. While I did not closely follow Cheney’s political career, I had a vague sense of respect for her; she seemed like the type of politician who stood by her principles.

I got this sense in the aftermath of Jan. 6 and during the news cycle around the Select Committee in the House of Representatives to investigate the events that allowed the insurrection to occur.

I have even more respect for her now, having read this..

Oath and Honor is a frightening narrative of the January 6 insurrection. I have felt since that day that Trump and his supporters in Congress were somehow culpable, that they should be held accountable. I now have no lingering doubts. Trump and the members of his administration and Congress who supported his attempted insurrection must all be held accountable.

Cheney discusses in detail the amorphous uncertainty she had around Trump’s administration in the weeks between the 2020 election and the planned inauguration of President Biden. According to her narrative, she had a feeling and even had conversations with others in power that something was not right.

Her account of the insurrection itself is harrowing; to know that the organizers behind the mob had planned to lay siege to the Capitol and return armed after dark is a nightmare scenario I won’t soon forget.

Cheney then lays out what came to pass over the following eighteen months, her involvement in the Select Committee, and her bid for reelection in Wyoming, which she lost to a Trump-supporting election denier.

This moment in US history is still too near, too real and present, for me to take the critical view of Cheney’s narrative from a historical perspective. I think there may be a few minute moments in this account where she comes off as self-righteous, where she lingers just a little too long on her own admiration for figures like her father, and Reagan.

But, this is a memoir, after all. Perhaps in five or ten years, when all of this is (hopefully) in the history books, I will be able to reread this with a more critical ear for Cheney’s own version of these events compared to other accounts that will surely be published. For now, I have to take this accounting of January 6th at face value…

As a warning.

Anyone who cares about the US or who feels compelled to understand what actually happened that day, please read this book.

Steve D

LOKI Season 2 Bookends the Best of Recent MCU Stories

I’m a couple of weeks late writing this post, because I did not watch Loki season 2 as it was released on DIsney+. I mostly watched over the last two weeks, and then binged both episodes five and six last week.

Since then, I’ve been mulling over the season (and series?) finale while listening to a couple of my favorite podcasts’ coverage of the show. And I’ve come to a simple conclusion.

Loki is the best story that the MCU has told since Avengers: Endgame.

I will not spoil this show, just as I try not to spoil books I read and review. But through 12 episodes and two seasons of television, the titular character follows an arc that must be compared with similar heavyweight arcs of Thor or Iron Man in the Infinity Saga.

Loki enters season one as a villain, freshly time-jumped from the end of Avengers, when he tried to invade New York City with an interdimensional alien army. Through his experiences at the Time Variance Authority and witnessing other timelines — other pasts and possible futures — Loki changes and evolves into something other than the conquering Asgardian god of mischief.

I have been mostly underwhelmed and occasionally disappointed with the MCU TV shows over the last few years. They have primarily felt like movies that were stretched too thin or longer television seasons that were crammed into tighter spaces, with no obvious direction to point towards in terms of building a story around the next big villain.

Loki, the character, is not that next big villain, but Loki, the show takes Big Villain Stakes that most of the recent MCU properties have been missing, and boils them down to emotional, dramatic storytelling between characters.

And the climactic finale, rather than being a CGI punch-fest, is a stunning and spectacular moment of agency for one character to choose his path.

The series ends so resolutely, so satisfyingly, that Marvel could end the series, put a period on Loki’s character journey, and I would be content. If nothing else, I can go read the comic run that inspired this show.

However Marvel came to execute Loki as a storytelling vision, I hope they follow a similar path for TV and movies going forward.

Steve D

On FOUR LOST CITIES and Building this Fantasy Town

This post is not a real book review, at least, not entirely. I just finished listening to Four Lost Cities: A Secret History of the Urban Age by Annalee Newitz, and it got me thinking and rethinking the way I design and evolve cities in my fantasy universe.

A running theme in my world-building — and one of my pervading interests in history and anthropology — touches on the rise and fall of cities and civilizations. For years, I had the reductionist viewpoint that great cities rose and fell in linear patterns, and with clear markers for their demise.

When I learned that the far more common pattern is for cities (or civilizations) decay for years or decades or centuries before fading from prominence, I wanted to explore that in my storytelling.

Four Lost Cities provides a really interesting investigation into the formation and decline of cities across human history. Newitz uses archeological evidence to make the case that the evolution and dissolution of cities is not a linear path, that the very definition of a “city” and its growth are defined more by socio-cultural forces of its time than by rigid and often arbitrary models based solely on commerce.

What would this look like in a setting of my making? Would I be able to capture the uncertain rise and long decay of a city or a people in character-centric stories?

My current work-in-progress, the duology I’ve been referring to as The Herb Witch Tales, spawned from this theme. Before I knew who my characters were, I wanted to explore a city’s evolution from small port town, to sprawling tent camp of migrant settlers, to developed population center.

The story developed from the idea of the city, and I found characters to fit that initial blueprint. The duology is now much more grounded than that much broader idea, but I’ve tried to pay particular attention to the ways in which the characters perceive and interact with place — the places they’ve lost, left, or found.

Although The Herb Witch Tales is currently a duology, I can easily imagine future stories where the growth of this family is inextricably tied with the growth of the place they come to call home.

So, I must recommend Four Lost Cities, because it is informative, thought-provoking, and inspiring in a world-building kind of way.

Steve D

Book Review: SISTERSONG reignites old magic in Dark Age Britain

I recently listened to Sistersong by Lucy Holland on audiobook. I’m in the midst of an era kick, where I’m almost exclusively interested in historical fiction or fiction stories set in Dark Age Britain. So, I found this book as part of my keyword search on Audible, and it sounded intriguing.

I enjoyed it, overall.

This was a very intricately and well written story. Holland deftly weaves part fairy tale, part ballad about the stories we tell ourselves and how they come to define us. This story follows three siblings who are each struggling to understand or reconcile some part of themselves, or, in my ways, some part of their relationships with their parents and with each other.

Thus, the story quickly becomes part family reckoning, part coming-of-age, and part classical drama, all wrapped in a tale of lost magic and impending war.

Having known nothing so this story or author beforehand, I found it both surprising and familiar, in the way that classical storytelling forms often are. I recognized the beats as they came, but the characters’ lives were so vivid that their inner emotional turmoil drove the tension.

Each of the three siblings at the center of Sistersong has a unique voice that reflects the others, making their interactions poignant in every scene. Holland peppers her story with enough twists and interesting character turns to make it feel unique.

The soft magic system felt a bit all-powerful for my liking, but it was not a ‘deus ex machina’ effect. Magic permeated the narrative, but did not drive it completely.

Steve D

WAR LORD rings true for THE LAST KINGDOM series and Uhtred’s legacy

A couple weeks back (this post is delayed because life happened), I finished reading War Lord.

This final installment of The Last Kingdom series by Bernard Cornwell is a perfect ending for what has been a highly entertaining series.

In this story, Uhtred is old, and the only thing he wants is to die at Bebbanburg. He has lived a life of war, and politics, and striving desperately to reclaim the home he had lost as a child. Now he has, and he only wants peace. But war stirs to the north and south, and Uhtred must decide whether to fight for King Aethelstan or Constantine of Alba.

Uhtred’s age in this story make any significant fighting on his part a bit farfetched. That’s why the most ingenious part of this book is how Uhtred mostly becomes a battlefield spectator to be awed by a younger generation of warriors making their own reputations. He is the elder warlord whose experience and presence certainly help shape the battle, a general who commands the respect of those who follow him and tries to fight beside them as best as he can. But he no longer seeks out battle–the sword song–as he did in his younger days.

Uhtred’s relationship with King Aethelstan comes to fruition in this story as Aethelstan pays respect to the man who raised him, and Uhtred recognizes Aehtelstan for the noble and fearsome warrior king he has become.

I greatly appreciated Cornwell’s historical note to close the book, and I’ll be looking into his other historical fiction works.

Steve D

Book Review: SWORD OF KINGS demonstrates Uhtred’s ability to rise above humiliation

I’m very rapidly making my way through the final books in Bernard Cornwell’s The Last Kingdom series. I finished reading book #12 of 13 last week, Sword of Kings.

I greatly enjoyed this story after feeling like its predecessor, War of the Wolf, felt overly contrived.

Sword of Kings follows Uhtred as he makes mistake after mistake. For the first time really in the entire series, Uhtred’s penchant for impetuous decision-making and lack of communication with anybody significant in his life stacks up against him.

A similar trail of mistakes followed in Uhtred’s wake in War of the Wolf. The difference in Sword of Kings is that in the moment, every single one of Uhtred’s mistakes makes sense. He rationalizes to the reader as he proceeds, but events turn against him for various reasons, and by the time you reach the final confrontation, you’re left wondering a) how the hell did we get here, and b) how the hell is Uhtred getting out of this one alive?

Uhtred ultimately faces the most humiliating moment of his life. The shame, regret, and fear he demonstrates thereafter is poignant as a side of Uhtred we’ve never seen. After several books of seeming invincibility to anyone else’s ambitions and his own brashness, Uhtred is brought as low as possible, and he has to be convinced by those closest to him to either give in or fight for his own dignity.

My only nitpick is the quite flippant disposal of a few characters in Uhtred’s life, treated with little more than a footnote at the end of the story. Without giving away anything, I think these characters had lost their own purpose in Uhtred’s stories, and perhaps made room for new characters and narrative developments, but these are not realized until the next book.

This is perhaps one of the best novels of the series.

Book Review: WAR OF THE WOLF has points of interest, falls flat

I’m working my way through the final three books of Bernard Cornwell’s The Last Kingdom series. War of the Wolf posits an interesting question: what sorts of adventures / wars does Lord Uhtred get drawn into after he’s achieved his ultimate goal?

The answer, it seems, is getting tricked into fighting a war in someone else’s land.

While I always enjoy The Last Kingdom series to some extent, this installment felt too formulaic. The book opens with Uhtred outside of Bebbanburg, the nigh impenetrable fortress of which he is lord, for a dubious reason. Someone lured him there with a lie to try to ambush and kill him. Without giving away any spoilers, the rest of the narrative follows with similarly dubious decision-making by our usually cunning Uhtred.

There were some notable emotional stakes here that helped Uhtred’s individual development, and his fealty to King Sigtryggr of Eoforwic makes for some interesting politics. Aethelstan remains a compelling character, but his presence in this story merely feels like set-up for future stories.

This was not my favorite story in this series, but it was still entertaining.

Steve D

Book Review: ANDREA VERNON AND THE CORPORATION FOR ULTRAHUMAN PROTECTION brings quick wit and plot

I don’t remember the circumstances under which I picked up Andrea Vernon and the Corporation for UltraHuman Protection, but it’s been sitting in my Audible library for a good while. So I finally decided to read it.

It was quite enjoyable.

Author Alexander Kane appears to have a knack for witty and compelling storytelling that does not get weighed down by exposition. This story moves quickly and demonstrates Kane’s deft plotting. No chapter felt cumbersome, and no character was throw-away.

Each character had a unique voice, perhaps in part thanks to Bahni Turpin’s excellent narration. Andrea, as the protagonist, had the strongest scenes and sense of growth. Other characters, like Ms. Oh, were interesting in their own right, but I often found myself anticipating Andrea’s next section more than any other POV character.

This is not necessarily my preferred style of storytelling, which veers between absurd cultural references and wise-cracking one-liners to keep the dialogue bouncing along, but I respect that Kane executed it so well.

There are two other books in the Andrea Vernon series, and I just may be tempted to pick them up.

Steve D