Book Review: A CLOSED AND COMMON ORBIT lands as cozy sci-fi with intimately personal stakes

After gulping down the audiobook form of The Long Way to a Small, Angry Planet, Becky Chambers’s first in the Wayfarer series, I did not hesitate to pick up book 2: A Closed and Common Orbit.

I had thoroughly enjoyed the first series entrant as a galaxy-crossing sci-fi adventure, so I was a caught a bit off guard to discover that I would spend all of book 2 with characters who were only a footnote in book 1.

Part of this is my fault, because I neglected to read the blurb before purchasing and beginning A Closed and Common Orbit. So I was a bit surprised, a little confused, and then curious.

This book follows Pepper, a tech whom the crew of The Wayfarer encounter in book 1, and Sidra, a conscious AI placed into a human-like body. Pepper’s and Sidra’s stories meshed well and approached themes of identity, predestination, and humanity with thoughtfulness. The two spend much of the book trying to navigate their own senses of self, while also figuring out how to integrate Sidra into Personhood and the local society of pepper’s home city.

Pepper’s story also looks backward, beginning with her life a child to explore how she got where she is. I was intrigued by Pepper’s hardships as a teenager, and I felt that her transition from that life into the one she built for herself was glossed over. However, her backstory clearly focused on and succeeded with explaining why she has such an affinity for advanced AI’s and their personhood.

Both character arcs are effective in demonstrating and resolving their respective emotional journeys.

Surrounding these very intimate themes of identity, the story barely touched on how Pepper’s and Sidra’s society did not accept AI’s as People, and what that might mean for Sidra. I would have liked to understand more about how technology and sapient AI was viewed and treated in the Galactic Commons at large.

Rich world-building surrounds this story, but it’s a little too focused on the characters’ internal struggles. I kept looking for a broader view to balance the intense personal stakes of the story. Similar to its predecessor, A Closed and Common Orbit excels in displaying what life is like for people on this planet, a sort of cozy sci-fi setting for these poignant themes.

Still, this was very much worth the read, and I’m interested in continuing this series in the near future.

For the audiobook, I found the narration stilted with unnatural inflection in many places, especially with dialogue. I think this may have been intentional by the narrator to reflect Sidra’s voice as an AI, but it honestly became more and more grating as the story proceeded.

Steve D

Book Review: THE GRAVEYARD BOOK tugs at adult children’s heartstrings

Another wonderful modern fairytale by Neil Gaiman. At this point, I have no excuse whatsoever for not poring through every single story that Gaiman has ever written, because each story feels impactful and poignant.

I listened to the full-cast production of The Graveyard Book on Audible. I’m used to Gaiman narrating his own stories and being a fantastic storyteller. The full-cast production of The Graveyard Book is stellar; each voice actor brings nuance and feeling to their character(s), and the voicing brings real life to the scenes in a way I normally do not expect from audiobooks.

This story follows a boy who was raised in a graveyard after his family were murdered when he was a toddler, and eventually learns how to survive in the world outside. The boy, Bod, short for Nobody Owens, also must ultimately learn about the man who killed his family.

Gaiman writes primarily from the boy’s perspective, and Bod’s narrative voice grows naturally as he ages, a credit to Gaiman’s writing, and the voice actor’s work. Bod develops a close if curious relationship with his guardian, a not-quite-human-being named Silas who has an uncanny ability to fade into the shadows. Silas does not express the usual paternal emotions for his charge, but throughout the book, the emotional bond Bod has with Silas, and the other residents of his graveyard, are unshakable.

Yet again, Gaiman masterfully inserts pieces of folklore into his story to make it feel supernatural and mysterious and familiar all at once.

This is the third Neil Gaiman story I’ve read, and he is quickly bounding to the top of my favorite authors list. I cannot rave about this story enough, so I’ll stop myself before this gets out of hand.

Steve D

NaNoWriMo 2020 Update!

If there is one thing I have learned from NaNoWriMo this year, it is that I do not have time to write 50,000 words in one month. And that’s not a complaint or an act of self-deprecation, for which I’m definitely not known.

It’s just an acknowledgment that my life and my priorities have changed since the first few years I participated in NaNo with great success. I’m still happy to be participating, and I’ve made some real progress.

Follow me on NaNo!

Continue reading “NaNoWriMo 2020 Update!”

Switching Characters to Spice Up the Storytelling

I’ve had an exceedingly tiresome week, capped off by an exceedingly long commute home today — like, an hour and a half or more. And because I’m writing this on Thursday evening, the week isn’t quite over yet. So let’s listen to some soothing Appalachian-inspired folk.

Writing has also been slow for me, which has been due in part to laziness, but also because I keep spending more time thinking about my short story idea than actually writing WoEL.

Continue reading “Switching Characters to Spice Up the Storytelling”

revising and editing a manuscript

3 Ways to Revise Your First Draft

As I near the end of my revisions to Manuscript: Beta, I have begun to reflect on the process itself. Jessie called me crazypants when I told her I was rewriting The Warden of Everfeld: Memento to prepare the second draft.

So I thought I would compare this process to the other paths I might have taken. At its most basic, there are really only three ways to revise a first draft. Continue reading “3 Ways to Revise Your First Draft”

Friday Write-Day: A Very Strange Week

I’ve had a severe lack of motivation all week, hence the non-title card for this post.

I was going to write a piece about how the sense of failure in one aspect of life can trickle down and impact other parts of your life. But that seems crass in the wake of Chris Cornell’s death. Continue reading “Friday Write-Day: A Very Strange Week”

Creativity Sessions: Writing Social Issues into Your Story

Throughout my revision process for The Warden of Everfeld: Memento, I have continually questioned the information I am presenting in my story. Is this detail pertinent to the scene? Does the reader care/need to know this? How does this trait affect the character’s personality?

These questions are vital for building real, lifelike characters while also maintaining a fluid and natural story arc. However, at times I have wondered if the trauma or suffering I put my characters through is necessary to tell the larger story. Continue reading “Creativity Sessions: Writing Social Issues into Your Story”

Creativity Sessions: Inner Monologues and Deductions

I love the concept of the inner monologue in writing, probably because I’m constantly up in my own head with thoughts and ideas that I might not express vocally. In writing, though, I think it has to be used delicately. Continue reading “Creativity Sessions: Inner Monologues and Deductions”

“Jaed and Aston” Milestone: 100,000 Words

December has been a super slow writing month for me. The holidays always stress me out for no reason, and I had a bunch of other stuff going on this month. Thus, I fell far behind my month’s writing goal of ~35k for “Jaed and Aston”, and about a week before Christmas, I decided that I wouldn’t be able to catch up anyway. Continue reading ““Jaed and Aston” Milestone: 100,000 Words”