Writing Lesson #64: World-Building Offers Many Avenues of Storytelling — Use Them

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NaNo 2016 got off to a less-than-stellar start for me. For a variety of reasons, not the least of which was the shock induced by the presidential election, I was not focused on writing my second novel, The Warden of Everfeld: Legacy. Part of me feels like I’m jumping ahead too much, considering my first significant round of revisions looms for part one, The Warden of EVerfeld: Memento.

I tend to second-guess myself in such ways. The point is, I haven’t advanced WoEL much beyond the 5,000 words I covered over the first eight days or so. Instead of wallowing in my own thought process, I decided to change focus. Continue reading “Writing Lesson #64: World-Building Offers Many Avenues of Storytelling — Use Them”

Cinquain Triplet – Eye of a hurricane, fair/festival, sailor – SD

“Eye’s Fair Dance”

Winds and white foam soften, be still!
A honeyed melody drifts through the air.
Golden hues settle, like candlelight’s glow. Continue reading “Cinquain Triplet – Eye of a hurricane, fair/festival, sailor – SD”

Pervasive Longing: Of Monsters and Men’s First Album, and Long-Overdue Return

Our music reviews seek to trace the narratives that weave between songs and albums. Check out our Rhythmic Fiction tag for other stories told through music.

Have you heard the new Of Monsters and Men album? Well… it’s not exactly new. Actually it’s not new at all. My Head is an Animal, their debut album, was released on September 20, 2011. I saw Of Monsters and Men perform live in June of 2013, and they were fantastic. I have been eagerly awaiting news of their second album for nearly two years now, and last week, I finally heard the announcement of their second studio album on the radio: June 9.

Do you know what this means? I began writing this review for kicks last November, and it’s finally relevant! I no longer have to justify reviewing an almost 4-year-old album on the basis of my pining for the sweet melodies of Nanna Bryndís Hilmarsdóttir’s voice. Continue reading “Pervasive Longing: Of Monsters and Men’s First Album, and Long-Overdue Return”