Way-Too-Early Reactions to HOUSE OF THE DRAGON

It’s official. We’re back in Westeros after a 6-year hiatus from decent storytelling in George R.R. Martin’s fantasy universe.

As the first spin-off show we’re getting in the wake of Game of Thrones, I’ve been cautiously optimistic about this House of the Dragon.

With director Miguel Sapochnik, who directed several of Thrones‘s most harrowing and exciting episodes (see “Hardhome” and “Battle of the Bastards”), Martin himself more closely involved once again, and a star-studded cast, I felt like House of the Dragon had legitimate potential to be great.

After the debut episode, “Heirs of the Dragon”, all I can say is… I think I was right.

This premier introduced a set of characters who are poised to clash politically — or otherwise — and laid the groundwork for the rest of the season in an interesting way. They even managed to introduce a bit of lore that even the most ardent of book-readers could not have guessed.

I will not go into detail about the plot of the episode except to say that there is a jousting tournament with phenomenal cinematography and some pretty brutal violence. (The jousting show at the Maryland Renaissance Faire is one of my favorite events of the year, so I was thrilled to see such an exhilarating sequence in this show.)

I had honestly forgotten how unforgiving the early seasons of Game of Thrones could be, so to see it again in this premier was a bit of a shock.

While I have read part of The World of Ice and Fire, and Fire and Blood sits on my unread shelf, I’ve decided not to follow along with Martin’s writings while watching this show. I want to experience the show for its own merits, and then read the stories again.

Between the intriguing cast of characters, the tight-knit plot, the broader narrative it introduced, and the incredible looking dragons (more than one!), it’s apparent that the showrunners have set out to prove that the expanding Thrones-verse is still a force to be reckoned within the IP-as-content wars.

All in all, the showrunners have set the stage for what I anticipate will be an enjoyable, suspenseful, and action-packed season of television.

And of course, there are the dragons.

Share your thoughts or way-too-early reactions about this first episode of House of the Dragon in the comments below.

Steve D

Blog Rewind: My Philosophy of Ice and Fire

Nearly two years ago, in anticipation of season 7 of Game of Thrones, I wrote a piece about what I view as the philosophy of the books and show.

At the time, I was excited to see how the show would tidily wrap up all of its weaving plot threads in two unnecessarily truncated seasons. Oh, how naive I was.

Still, it wouldn’t be ethical of me to espouse philosophical theories about a fictional universe and not actually revisit them at the story’s conclusion. Let’s see how my predictions panned out in the wake of the series finale!

Beware! Here be spoilers…

Continue reading “Blog Rewind: My Philosophy of Ice and Fire”

An Open Letter to George R.R. Martin

Game of Thrones spoilers probably incoming. I’m not doing this ironically. I have already expressed my frustrations with the last two seasons of Game of Thrones, and I legitimately want to see Martin finish out his series the way it deserves. It would be really cool–however unlikely–if he read it.

So, you know… if you know him, pass this along.

Continue reading “An Open Letter to George R.R. Martin”

Game of Thrones Missed an Immense Opportunity by Ignoring Its Characters

I have  expressed my qualms about seasons seven and eight of Game of Thrones in the past. But I’m not here to complain about shoddy battle tactics, “jet-packing” characters, or the abhorrent lack of dire wolves in recent seasons.

No, today my gripe is with a much more fundamental narrative thread, and the show’s utter ignorance of it in Sunday’s episode.

Beware… Here be spoilers!

Continue reading “Game of Thrones Missed an Immense Opportunity by Ignoring Its Characters”

Thoughts from the Game of Thrones Premier

If you can’t tell from the glut of content flooding every website, Game of Thrones is back. But I can’t just stay out of the fray during the biggest television series finale ever.

I have reactions too! For now, I’m just going to get my own notes on the season 8 premier on proverbial paper.

Beware… Here be spoilers!

Continue reading “Thoughts from the Game of Thrones Premier”

Jason Concepcion on Why We Love Fantasy Stories

For those of you who are a) fans of good storytelling and b) fans of A Song of Ice and Fire  and HBO’s Game of Thrones, season 7 was probably disappointing. Without ranting on about it (today), I’ll just say that it was poorly written.

Jason Concepcion of the “Binge Mode” podcast on TheRinger.com has perfectly summed up my feelings on the season, and the weight that fantasy stories carry as a whole. Continue reading “Jason Concepcion on Why We Love Fantasy Stories”

A Philosophy of Ice and Fire

Season 7 of Game of Thrones premiers in five days (!),  and I for one am stoked. A lot has been made of the philosophies one can glean from these stories, so I wanted to give my own thoughts.

The ongoing argument is that George R.R. Martin is a nihilist and created these stories to beat his readers over the head with tragedy and suffering.

I disagree, and I will use this post to explain why.

Spoilers ahoy! I will be freely discussing spoilerish information from both the books and the show, so if you’ve somehow managed to avoid them to this point, this post is probably not for you. Continue reading “A Philosophy of Ice and Fire”

Friday Write-Day: Revisions Abound

fwd-revisions-abound

Revising 12 pages minimum per day has been… more work than I had imagined. So far, I’ve done all right in revising The Warden of Everfeld: Memento — 98 pages in and about a day behind my pace to finish September 23, as planned. I hope to catch up and build a nice cushion for myself this weekend.

I suppose it should not be too surprising that revising a novel actually takes longer than just reading it. Continue reading “Friday Write-Day: Revisions Abound”

Creativity Sessions: Cliffhangers as a Narrative Device

I enjoy cliffhangers in novels. As someone in the marketing profession, I also understand why they are often used at the ends of novels. I’ll be just finishing up the story when the author throws a curveball, making me go Oh shit, how can you leave me hanging like that?! And then Book 2 comes out and I buy it immediately, because obviously I have to see what happens. It’s good business.

But as a narrative device? I’m becoming more and more skeptical of the end-of-book cliffhanger. Continue reading “Creativity Sessions: Cliffhangers as a Narrative Device”