Book Review: MCU illuminates the history of Marvel’s films

I recently listened to MCU: The Reign of Marvel Studios on audiobook. I heard about the book, because one of the co-authors, Joanna Robinson, has a podcast I frequently listen to (House of R), and she talked a bit about the book in the run-up to its release late last year.

I’ve enjoyed Marvel films over the years and admire what they had achieved through the Infinity Saga. I also really enjoy documentary-style storytelling with behind-the-scenes insights. This book excels at this type of storytelling.

With plenty of quotes and perspective from the people who were involved with these films over the decades, it’s clear that the authors spent tons of hours conducting interviews with all kinds of folks, from production assistants on 20-year-old films, to directors, set/costume/effects designers, to the major actors, to Kevin Feige himself. There are countless anecdotes about snap decisions made in one era of the studio’s history that directly shape how the movies came together years later.

The book is paced and structured like a documentary, with most chapters focusing on a particular film, or a particular piece of the MCU machine, such as visual effects. It begins in the very earliest days of Marvel’s forays into film and television in the 60s and 70s, with projects and people I had scarcely been aware of, and then really picks up in the early 2000s, when superhero films started appearing in greater numbers.

The authors did a good job balancing fair criticism of various parts of the studio’s process with genuine appreciation of its accomplishments. The chapters on The Infinity Saga are rightfully tinged with admiration at how those films were pulled off, while the chapter on visual effects speaks to the issues that VFX artists have faced in dealing with the tight deadlines, scant budgets, and long hours demanded by their contracts with Marvel Studios.

My one critique is that the closing sections felt a little too concise. If this is a history of the MCU – and it certainly reads like one – then I would have wanted a little more summation on this era of Marvel Studios and what the future looks like.

Still a great read, and definitely worth picking up again to absorb all the nuggets of information spread throughout.

Steve D

LOKI Season 2 Bookends the Best of Recent MCU Stories

I’m a couple of weeks late writing this post, because I did not watch Loki season 2 as it was released on DIsney+. I mostly watched over the last two weeks, and then binged both episodes five and six last week.

Since then, I’ve been mulling over the season (and series?) finale while listening to a couple of my favorite podcasts’ coverage of the show. And I’ve come to a simple conclusion.

Loki is the best story that the MCU has told since Avengers: Endgame.

I will not spoil this show, just as I try not to spoil books I read and review. But through 12 episodes and two seasons of television, the titular character follows an arc that must be compared with similar heavyweight arcs of Thor or Iron Man in the Infinity Saga.

Loki enters season one as a villain, freshly time-jumped from the end of Avengers, when he tried to invade New York City with an interdimensional alien army. Through his experiences at the Time Variance Authority and witnessing other timelines — other pasts and possible futures — Loki changes and evolves into something other than the conquering Asgardian god of mischief.

I have been mostly underwhelmed and occasionally disappointed with the MCU TV shows over the last few years. They have primarily felt like movies that were stretched too thin or longer television seasons that were crammed into tighter spaces, with no obvious direction to point towards in terms of building a story around the next big villain.

Loki, the character, is not that next big villain, but Loki, the show takes Big Villain Stakes that most of the recent MCU properties have been missing, and boils them down to emotional, dramatic storytelling between characters.

And the climactic finale, rather than being a CGI punch-fest, is a stunning and spectacular moment of agency for one character to choose his path.

The series ends so resolutely, so satisfyingly, that Marvel could end the series, put a period on Loki’s character journey, and I would be content. If nothing else, I can go read the comic run that inspired this show.

However Marvel came to execute Loki as a storytelling vision, I hope they follow a similar path for TV and movies going forward.

Steve D

The MCU and the Multiverse of Expectations

I’ve mostly been following along with the Marvel Cinematic Universe as they’ve plotted their course from Avengers: Endgame through Phase Four – otherwise known as the Disney+ era. Of the Phase Four properties, I have yet to watch:

  • Spider-Man: No Way Home – because honestly, this movie is impossible to find without buying the DVD/Bluray outright, which I’ll probably end up doing. I feel like I’ve absorbed most of the major spoilers through pop culture osmosis, however, so there’s that.
  • Thor: Love and Thunder – which, if you’ve been here recently, you know I was excited about. I still am. I just need to get to a theater.
  • Black Panther: Wakanda Forever – because it’s not out yet, but is definitively the best MCU trailer ever.
  • What If…? – because I wasn’t that interested or into the animation style.
  • There are also the upcoming She-Hulk and Guardians of the Galaxy Holiday Special, neither of which strike a chord with me at this point.
  • I am also on episode 6 of Ms. Marvel – but I had to write this post instead of watching it!

Obviously, I haven’t watched everything, but from what I’ve and heard about Phase Four, I have some thoughts. Specifically, I have reservations about the wider story that Marvel seems to be building, or crucially, not building to this point.

Seriously, just watch that trailer if you haven’t yet. Or if you have.

Spoiler warning – From here on out, I will talk freely about Phases Four, Five, and Six (and previous phases) of the Marvel Cinematic Universe.

To me, Phase Four feels like a bunch of individual stories with very little connective tissue. There have been some very good origin stories (Shang-Chi) and some moderately good passing of various torches (Falcon and the Winter Soldier and Hawkeye). There are tons of really interesting new characters, such as Yelena, Oscar Isaac’s multiple personalities, Kamala Khan, alternate timeline Loki, Sylvie, and Shang-Chi. And I’ve had a lot of fun watching most of these people do superhero things.

What feels sorely missing is the feeling that we are actively building towards something bigger. Phase One was all origin stories for the first Avengers team that were independent of each other, but used specific characters, like Nick Fury or Coulson, to tie them together and build anticipation.

Now, I’m fully aware of the announcements Marvel just made for Phases Five and Six, respectively, telling us that we are building towards Avengers: Secret Wars and Avengers: The Kang Dynasty. Those are coming alongside a lot exciting titles over the next few years, but I’m not really interested in stories that haven’t come to the screen yet.

What I want to know is how all of the characters we have seen so far coexist in their world. How can they coexist without any overlap? Why was no one aware of what Wanda was up to for a few canonical years in isolation? How did two Egyptian gods coming to life over the Cairo skyline not elicit some response from Dr. Strange, or anyone else?

Who or what will be binding these characters together, aside from Kang the Conqueror as the eventual Big Bad and the Secret Invasion as the Big Crisis?

Marvel hasn’t tried to start planting these seeds yet, at least not with any consistency. Loki met a version of Kang. Dr. Strange (and Kamala?) have traveled the multiverse. Captain Marvel, Wong, and Hulk are interested in Shang-Chi’s Ten Rings. Nick Fury is still off-world. Hints have been dropped along the way, but it’s really not clear at this point how they’re all related. Will half of the superheroes be off fighting Kang while the others deal with the Secret Wars? Or will all of them come together in two gigantic team-ups?

I know the overall path because Marvel has told us, but not really because that’s what the storytelling has shown us. With Phase Four wrapping up this November, it feels like an assortment of stories, rather than the beginning of a new saga.

Those are my feelings on the MCU. What are yours? Have you enjoyed Phase Four?

Steve D

Book Review: THOR: GOD OF THUNDER, VOLUMES 1 and 2

With Thor: Love and Thunder due to hit theaters (or streaming services?) in 2022, I felt compelled to follow the comic arc that inspired this particular film, as well as Taika Waititi’s previous installment in this MCU franchise, Thor: Ragnarok.

I first looked to the early 2010s Thor comics, The Mighty Thor, in which Jane Foster takes up the mantle hammer of the God of Thunder. After doing a bit more research, though, I realized that Jason Aaron, the writer of The Mighty Thor, also wrote the Thor comics leading up to Jane Foster’s transformation.

Thor: God of Thunder, Volume 1: The God Butcher, book review, comics

So I decided to read Aaron’s entire run. That’s where Thor: God of Thunder comes in. Volume 1 of this series, The God Butcher, is a bit of an introduction to Thor, as well as to Gorr the God Butcher, who is to be the villain in Love and Thunder.

I found this to be a really exciting narrative with interesting jumps between past, present, and future Thor as he battles the God Butcher across the millennia.

We see the brash young God of Thunder, not yet worthy to wield Mjolnir, juxtaposed with Thor the Avenger, who bears the weight of centuries of responsibility on his shoulders, against Thor the King of Asgard, a grizzled aging god. I really enjoyed how closely this character evolution is mimicked by the MCU films.

The second volume of this series, Godbomb, continues the story of Thor(s) fighting Gorr the God Butcher across time, a thrilling and surprisingly uplifting ending to the God Butcher saga. I’m usually not into time travel plots, but seeing the three Thors battle together was pretty awesome.

I’m glad I read these two volumes together, because volume 2 is a direct sequel to volume 1. Across both volumes, the artwork is vivid and dynamic. I found myself flipping back and forth to catch details in the illustrations I may have missed on first reading.

Following on this time-jumping quest, I’m looking forward to seeing where Thor the Avenger, the proper Thor of this arc, goes next. This being my first read of any Thor comic, I don’t really know what to expect. I’m just pleased to see that Aaron has contributed more than a dozen volumes of comics to Thor’s lore in recent years. They should keep me occupied until Love and Thunder comes out.

Steve D

Friday Publishing-Day: So Close Yet So Far

This has been a weird week in publishing world. From finicky software to minor non-errors, I’ve suddenly hit a number of hang-ups that probably aren’t a big deal.

It’s just been annoying. I know I’ll be able to iron out the kinks. Luckily, I’ve made progress in other areas this week. Continue reading “Friday Publishing-Day: So Close Yet So Far”