On Being and Enduring the Storm

I had a recent epiphany of sorts that I wanted to articulate somewhere… and what else is a blog for??

I had written a review of Of Monsters and Men’s second studio album, Beneath the Skin, in 2015. While I haven’t kept up with this band’s music of late (and I should really revisit them), this album has left a mark on my soul. Its storytelling power and lyrical imagery still sticks with me.

One song in particular, “Thousand Eyes” ends with an unforgettable climactic declaration by the narrator: “I am the storm… so wait.”

At the time, in the budding-adulthood tumult that can be your mid-twenties, I interpreted this statement as a threat — a warning to those who might wade into psychological or emotional depths with the narrator and find the chaos and rage of a storm at sea. It felt powerful and ominous.

Recently, however, it occurred to me that “I am the storm” does not merely have to mean that someone is a looming threat to others around them — bringers of a storm.

I think it could also mean to embody the storm, to constantly bear the torrent of emotions that could cloud your interactions with yourself or those around you. So yes, you might bring the storm unto others, but you yourself might also need to weather and endure your own storm.

I am the storm. I embody the storm. I endure the storm. As everyone does, in their way.

Perhaps this is a more meditative perspective to this expression, but it feels more complete to me now.

Steve D

Quick Rip: Of Monster’s and Men’s New Sound?

“Alligator” is the first single from Of Monsters and Men’s third album. Fever Dream Comes out July 26, and the first single already has me wondering is we will yet again hear an evolved sound from the fascinating Icelandic group.

This performance on Fallon features the five main members–they usually have 3-5 touring members–playing a layered chorus of distorted guitars that more closely resembles post-rock than the band’s previous alternative folk rock sound.

Maybe “Alligator” will be anomalous on the new album, but a move in this direction actually makes sense to me. 2011’s My Head is an Animal had an airy feel with lots of vocal choruses. 2015’s Beneath the Skin still used a lot of acoustic sounds and vocal harmonies, but its tone was darker and hinted at the more ambient, emotive power of their music.

Whatever direction the band has chosen, I’ll be happy. Of Monsters and Men has (clearly) become known for long droughts between albums, but each one feels fresh and unique. I can’t wait to  hear what Fever Dream sounds like.

Steve D

Mini Mythic Fantasy Playlist!

Now that I’m gearing up to publish the first chapter of The Grand Mythos of Úr’Dan come January, I need to make sure my gearing-up playlist is ready.

A fantasy series of mythic proportions deserves an equally mythic playlist. That’s right — I’m taking Jessie’s corner! Onward into myth and lore!

Continue reading “Mini Mythic Fantasy Playlist!”

Weathering the Storm: Of Monsters and Men’s Second Album and Musical Growth

Our music reviews seek to trace the narratives that weave between songs and albums. Check out our Rhythmic Fiction tag for other stories told through music.

A few months ago, I retrospectively plotted the narrative of Of Monsters and Men’s first album, My Head is an Animal, in the hopes that binging on their music would sate my appetite for more until their second album was released.

Thankfully, their second album has arrived, and I now have tickets to see Of Monsters and Men live (again) in September.

Continue reading “Weathering the Storm: Of Monsters and Men’s Second Album and Musical Growth”

Pervasive Longing: Of Monsters and Men’s First Album, and Long-Overdue Return

Our music reviews seek to trace the narratives that weave between songs and albums. Check out our Rhythmic Fiction tag for other stories told through music.

Have you heard the new Of Monsters and Men album? Well… it’s not exactly new. Actually it’s not new at all. My Head is an Animal, their debut album, was released on September 20, 2011. I saw Of Monsters and Men perform live in June of 2013, and they were fantastic. I have been eagerly awaiting news of their second album for nearly two years now, and last week, I finally heard the announcement of their second studio album on the radio: June 9.

Do you know what this means? I began writing this review for kicks last November, and it’s finally relevant! I no longer have to justify reviewing an almost 4-year-old album on the basis of my pining for the sweet melodies of Nanna Bryndís Hilmarsdóttir’s voice. Continue reading “Pervasive Longing: Of Monsters and Men’s First Album, and Long-Overdue Return”