April Write Day: Same Goals, Some Progress

March felt like a long month. I spent a week in the office with my entire team, some of whom I haven’t seen in person in years, and couple of whom I was meeting in person for the first time. We’ve had a busy month with the boys, not for any reason in particular other than the fact that an eighteen-month-old and a four-year-old will occupy a lot of your time and energy.

It was a halfway decent month for my goals, as well, until I got sick and was thrown off my rhythm for over a week.

Last Month’s Goals

  1. Revisions for Uprooted, The Herb Witch Tales #1.
  2. Read three books. Pretty straightforward. I also want to continue making good progress on A Memory of Light. I’m at the point where some narrative chips are starting to fall, and it is both dreadful and exciting.
  3. Exercise at least three times a week. The app is making me do three workouts per week, at minimum. So that’s baseline. I also want to start adding in other forms of training, so I’m mentally aiming for 4-5 workouts per week, and I’ll see how my routine develops from there.

Revisions for Uprooted?

I did not complete my revisions, but I’ve made some good progress in the last week. One thing I can say for certain is that I have a really good story on my hands. That is not something I would have been confident in saying before this revision phase. There are a couple minor plot threads I had forgotten about in the long hiatus since my last revision phase (as I was drafting New Earth), that highlight the struggle for survival in interesting ways. Not just describing the characters as tired and hungry again and again, but demonstrating how conflict can smolder from that basic tension.

So, I just need to be more diligent in revising. I still want to finish my current read-through to look at overall plot and identify areas that need more work, and then read through again to reverse engineer my outline and ensure the scene and chapter structure makes sense for the plot and pacing.

After that, I’m not sure. Maybe a third read-through to look for smaller details I want to fix, before deciding whether I have a solid manuscript to send to an editor, or even beta readers.

Read three books?

Yes! And my reviews have been fairly active on Goodreads and here. I might have read four, actually… I lost track a bit, because I updated a few of my reviews on Goodreads, which changes the where they appear in my “read” list.

I didn’t read much in A Memory of Light, but I’m about halfway through. I’m still very much interested. I’m just at a point in the story where some chips are starting to fall, and I’m dreading losing characters I love.

Exercise three times per week?

I started off strong, and then this very minor but very nagging cold I got in the middle of the month threw my off.

I had been using Asana Rebel to find yoga-type workout videos, but I’m not thrilled with the app. After the introductory program, there’s not really much guidance. There are just a bunch of videos from various trainers. I can watch yoga videos for free on YouTube, so I’m not quite seeing the value in the app at this point.

I’m also starting to consider different types of workouts. I just don’t know how and where I want to exercise. I haven’t belonged to a gym since COVID lockdown, and it’s difficult to see an opening in my day-to-day schedule for that at the moment — getting changed, going to the gym, stretching, working out, getting home, changing again. I need a solid hour or hour-and-a-half, and that time is difficult to find as it is. My office has a small workout room that I might start using, just for the convenience. We’ll see how that goes.

Goals for April

  1. Finish two revision cycles for Uprooted, the Herb Witch Tales #1. I definitely want to finish to two read-throughs I mentioned above. If I make real progress doing so, I can aim for a third.
  2. Read three books. I’ve been able to stick to this one so far, this year.
  3. Exercise three times per week. Still in flux what my real workout routine looks like, but I’ve been doing alright for now.

Steve D

3 Elements to Revise in an Early Draft

Creativity Sessions writing process. Evening Satellite Publishing.

I’ve started a full revision of The Herb Witch Tales this month. I’m currently revising the third draft of Uprooted, and will move straight into revising the second draft of New Earth.

These novellas form a duology, so it’s important to me that the characters, plots, and narrative themes align between them. I had written the first part in full, started the second part, and then decided to rewrite part one. Now that I’ve finished a subsequent rewrite of part two, I’m taking the time to revise both parts together.

Thus, my focus for this revision phase is first on consistency of those big pieces, knowing I’ll likely have to come back again to revise for smaller details.

That got me thinking about which elements are important to focus on during a given revision phase.

I’ll start by looking at what to focus on when revising an early draft.

3 Elements to Revise in an Early Draft

I’m using the term “early draft” here, because every writer drafts at a different pace. Some take three drafts to get a polished story; others take ten, or fifty. An early draft could be a discovery draft, where you’re just getting words onto paper, or it could be a draft that has already gone through a couple of revisions, but still feels raw.

In any case, you have a completed draft that you know needs some work. Where to begin? I’d like to highlight three places to start.

1 – Scene Development

This might seem obvious, but an early draft likely has a lot of plot holes to fill. Read through your draft with a questioning mind. From scene to scene, are there any questions left unanswered about how your characters are behaving, jumps in time, or events that are not presented to the reader directly?

It’s okay to leave some of these things for the reader to interpret, but that should be an intentional decision. If you’ve skipped a ton of scene development for the purpose of getting that draft finished, then many parts of the story may feel unfinished when you’re revising.

With every scene you revise, ask yourself:

  • Does this scene transition well from the previous scene?
  • Does the scene demonstrate new or reinforce established information about the characters, the plot, or the world they’re in?
  • Does it transition well into the next scene in a way that readers can follow?

2 – Character Consistency

Pay attention to the way your main characters may change – or not change – over the course of the story.

  • Do their attitudes shift, and do these changes serve the narrative?
  • Does each character have consistent voicing — the way the speak, act, fidget, or think?
  • Do their decisions align with what the reader knows about their fears, their motives, and what’s happening around them?
  • Does each character have agency, able to make decisions in reaction to what’s happening around them, rather than being buffeted through each scene like a toy doll in a hurricane?

Similarly, do your side characters have a purpose in your story? These are the folks who may only appear in a few scenes, or in the background of whatever the main characters are doing, but they should be there for a reason. A character who just reacts to what’s going on around them – a child who only complains to their parents, or a sidekick who only cheers on their leader – will fall flat. If you’re taking the time to create a character and place them in a scene, then give them something to contribute.

3 – Narrative Flow

This follows on element number one above, but forces you to take a step back and view your story not just for each individual scene, but for how the entire piece comes together.

  • If the story is intense with drama or action, are there moments of quiet and calm, or is the reader constantly pushed from one crisis into another with no respite?
  • Does the narrative meander from one scene to another, taking random expository detours that last for pages on end?
  • Does the plot flow naturally, or will the reader feel jolted along due to unexpected time jumps, or sudden changes of place?

Finding Your Story’s Intention

None of these things are bad to have in a story, but they should be intentional. Revising an early draft should give you the opportunity to understand, and improve on, the tone, pacing, and style of your story.

And don’t fret the details of Editing or Proofreading just yet. That will come in later revision phases.

Steve D

Haiku Wednesday – Creativity

“Creativity”

Why write on writing

when the story itself glares,

demands attention.

Steve D

This is my lame excuse for not having a meatier post this week. I really just want to finish my short story. Hopefully, I’ll not waste this opportunity and have good news on that front next week.

Making a Character Death Make Sense

Creativity Sessions writing process. Evening Satellite Publishing.

I’ve spent way too much time this month rationalizing and over-thinking a character death in my story that I knew was definitely coming. Fortunately, after talking it through with my human sounding board (my wife), I think I’m ready to write The Death Scene.

And I’d like to share some insights I’ve picked up along the way. Continue reading “Making a Character Death Make Sense”

Thoughts from the Game of Thrones Premier

If you can’t tell from the glut of content flooding every website, Game of Thrones is back. But I can’t just stay out of the fray during the biggest television series finale ever.

I have reactions too! For now, I’m just going to get my own notes on the season 8 premier on proverbial paper.

Beware… Here be spoilers!

Continue reading “Thoughts from the Game of Thrones Premier”

Exploring Writing and Cafes in Fells Point

Last night, Jessie and I had our first writing session since… she moved to Denver.

You see, we used to meet periodically with our laptops and notebooks at a little cafe in Columbia, MD to take notes, talk shop, and brainstorm about whatever writing projects we were working on at the time.

Now that Jessie lives in Baltimore and I live just outside the city, we agreed to find a new writer’s cafe. Continue reading “Exploring Writing and Cafes in Fells Point”

And My New Favorite German Word is… Fledermaus!

I miss studying language. I took French in middle/high school, German in college, and Arabic in college/grad school. The roots and origins of words has always fascinated me, and I will still look up words that catch my fancy. Continue reading “And My New Favorite German Word is… Fledermaus!”

A Philosophy of Ice and Fire

Season 7 of Game of Thrones premiers in five days (!),  and I for one am stoked. A lot has been made of the philosophies one can glean from these stories, so I wanted to give my own thoughts.

The ongoing argument is that George R.R. Martin is a nihilist and created these stories to beat his readers over the head with tragedy and suffering.

I disagree, and I will use this post to explain why.

Spoilers ahoy! I will be freely discussing spoilerish information from both the books and the show, so if you’ve somehow managed to avoid them to this point, this post is probably not for you. Continue reading “A Philosophy of Ice and Fire”